|
gptkbp:instance_of
|
gptkb:bird
gptkb:novel
gptkb:character
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Historical_Society
gptkb:Monarch
gptkb:Hugh_Grant
gptkb:Julius_Caesar
gptkb:Cedric_the_Entertainer
gptkb:Madagascar
gptkb:New_Kid
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:film
|
|
gptkbp:appears_in
|
gptkb:Venus
gptkb:Coming_to_America
gptkb:animated_film
gptkb:film
|
|
gptkbp:associated_with
|
gptkb:Prince_Akeem
|
|
gptkbp:author
|
gptkb:E._M._Forster
|
|
gptkbp:awards
|
gptkb:award
Golden Globe nomination
|
|
gptkbp:cast
|
gptkb:Richard_Garnett
gptkb:Hugh_Grant
gptkb:John_Gielgud
gptkb:Anna_Chancellor
gptkb:Simon_Callow
gptkb:Michael_C._Williams
gptkb:James_Wilby
gptkb:Rupert_Graves
gptkb:David_Schofield
gptkb:Joss_Ackland
|
|
gptkbp:character
|
gptkb:Alec_Scudder
gptkb:Clive_Durham
|
|
gptkbp:character_traits
|
gptkb:Loyal
gptkb:Friendly
Humorous
Adventurous
Caring
|
|
gptkbp:cinematography
|
gptkb:Tony_Pierce-Roberts
|
|
gptkbp:conflict
|
societal norms
|
|
gptkbp:created_by
|
gptkb:Author
author name
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cuisine
|
gptkb:fish
|
|
gptkbp:cultural_impact
|
gptkb:significant
LGBT literature
|
|
gptkbp:director
|
gptkb:James_Ivory
|
|
gptkbp:filmography
|
gptkb:1987
|
|
gptkbp:genre
|
gptkb:Author
gptkb:Richard_Robbins
romance
|
|
gptkbp:habitat
|
Cold regions
|
|
gptkbp:has_appearance
|
wedding scene
|
|
gptkbp:has_catchphrase
|
" You look like a prince!"
|
|
gptkbp:has_color
|
gptkb:Black_and_White
|
|
gptkbp:has_friend
|
Semmi
|
|
gptkbp:has_occupation
|
gptkb:skincare_product
|
|
gptkbp:has_role
|
gptkb:fictional_character
|
|
gptkbp:has_title
|
gptkb:Maurice
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Maurice
|
|
gptkbp:influenced
|
gptkb:LGBT_rights_movement
LGBT literature
|
|
gptkbp:influenced_by
|
gptkb:Oscar_Wilde
|
|
gptkbp:inspiration
|
Forster's own experiences
|
|
gptkbp:is_a
|
gptkb:bird
gptkb:mythological_figure
gptkb:character
|
|
gptkbp:is_character_in
|
gptkb:Rise_of_the_Planet_of_the_Apes
|
|
gptkbp:is_cited_in
|
film studies
|
|
gptkbp:is_described_as
|
brave
|
|
gptkbp:is_featured_in
|
barbershop scenes
|
|
gptkbp:is_influential_in
|
1980s cinema
|
|
gptkbp:is_known_for
|
gptkb:musical
comedic moments
Being a character in a movie
|
|
gptkbp:is_motivated_by
|
specific goal
|
|
gptkbp:is_part_of
|
gptkb:musician
gptkb:anthology
Animalia kingdom
|
|
gptkbp:is_played_by
|
gptkb:Karin_Konoval
|
|
gptkbp:is_recognized_by
|
gptkb:musician
|
|
gptkbp:language
|
English
|
|
gptkbp:lives_in
|
gptkb:Antarctica
|
|
gptkbp:main_character
|
gptkb:Maurice_Hall
|
|
gptkbp:mentor
|
gptkb:Caesar
gptkb:King_Julien
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:education
gptkb:Community_Center
self-discovery
secrecy
class differences
|
|
gptkbp:narrative_style
|
stream of consciousness
third-person
love and identity
|
|
gptkbp:next_edition
|
gptkb:1971
|
|
gptkbp:notable_for
|
posthumous publication
|
|
gptkbp:occurs_in
|
gptkb:book
|
|
gptkbp:personality_trait
|
Kind
Inventive
|
|
gptkbp:portrayed_by
|
gptkb:Eddie_Murphy
gptkb:Karin_Konoval
|
|
gptkbp:posthumous_recognition
|
gptkb:theorem
|
|
gptkbp:published_by
|
gptkb:1971
gptkb:The_New_York_Times
gptkb:Edward_Arnold_III
|
|
gptkbp:relationship
|
another character
with Akeem
|
|
gptkbp:role
|
barber
|
|
gptkbp:set_in
|
gptkb:Zamunda
|
|
gptkbp:setting
|
gptkb:England
|
|
gptkbp:spoken_in
|
gptkb:Alfred_Molina
|
|
gptkbp:style
|
gptkb:church
|
|
gptkbp:symbolism
|
nature
|
|
gptkbp:theme
|
homosexuality
|
|
gptkbp:themes
|
gptkb:class
homosexuality
|
|
gptkbp:user_experience
|
gptkb:military_conflict
|
|
gptkbp:voice_actor
|
gptkb:Cedric_the_Entertainer
|
|
gptkbp:wildlife
|
False
|
|
gptkbp:writer
|
gptkb:Ruth_Prawer_Jhabvala
|
|
gptkbp:year
|
early 20th century
|