|
gptkbp:instance_of
|
gptkb:fictional_character
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:film
Mary Reilly (film)
|
|
gptkbp:appears_in
|
Mary Reilly (film)
Mary Reilly (novel)
|
|
gptkbp:author
|
gptkb:Valerie_Martin
|
|
gptkbp:available_formats
|
gptkb:audiobook
ebook
hardcover
paperback
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:based_on_work
|
Mary Reilly (novel)
|
|
gptkbp:box_office
|
$8.5 million
|
|
gptkbp:budget
|
$30 million
|
|
gptkbp:character_development
|
Mary's transformation
|
|
gptkbp:cinematography_by
|
gptkb:Philippe_Rousselot
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:creator
|
gptkb:Valerie_Martin
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
gptkb:literary_analysis
feminist readings
inspired discussions on gender and class
re-evaluation of Jekyll and Hyde
|
|
gptkbp:directed_by
|
gptkb:Stephen_Frears
|
|
gptkbp:director
|
gptkb:Cristina_Comencini
|
|
gptkbp:distributor
|
gptkb:Universal_Pictures
|
|
gptkbp:edited_by
|
gptkb:Mick_Audsley
|
|
gptkbp:features
|
gptkb:Dr._Jekyll_and_Mr._Hyde
|
|
gptkbp:film
|
gptkb:John_Malkovich
gptkb:George_Cole
gptkb:Julia_Roberts
|
|
gptkbp:followed_by
|
A New York Times Notable Book
|
|
gptkbp:follows
|
gptkb:Mary_Reilly
|
|
gptkbp:genre
|
gptkb:Thriller
gptkb:drama
gptkb:historical_fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Mary Reilly
|
|
gptkbp:influences
|
gptkb:Victorian_literature
gptkb:Gothic_literature
|
|
gptkbp:inspired_by
|
gptkb:Strange_Case_of_Dr_Jekyll_and_Mr_Hyde
|
|
gptkbp:isbn
|
978-0-679-40080-0
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Mary_Reilly
|
|
gptkbp:motif
|
gptkb:betrayal
love
madness
servitude
|
|
gptkbp:music_by
|
gptkb:Philip_Glass
|
|
gptkbp:narrative
|
first-person
|
|
gptkbp:notable_quote
|
" I am not what I seem."
" The truth is a slippery thing."
" We are all monsters in our own way."
|
|
gptkbp:page_count
|
320
|
|
gptkbp:plot
|
explores duality of human nature
|
|
gptkbp:produced_by
|
gptkb:David_L._Wolper
gptkb:Chris_Ballantyne
gptkb:Stephen_Frears
|
|
gptkbp:published_year
|
gptkb:1990
|
|
gptkbp:publisher
|
Knopf
|
|
gptkbp:release_year
|
gptkb:1996
|
|
gptkbp:released_in
|
gptkb:1996
|
|
gptkbp:screenplay_by
|
gptkb:Christopher_Hampton
|
|
gptkbp:set_in
|
gptkb:Victorian_London
|
|
gptkbp:setting
|
gptkb:Victorian_London
|
|
gptkbp:starring
|
gptkb:John_Malkovich
gptkb:Glenn_Close
gptkb:Julia_Roberts
|
|
gptkbp:symbolism
|
the mirror
the house
the fog
|
|
gptkbp:themes
|
gptkb:identity
class struggle
gender roles
|
|
gptkbp:bfsParent
|
gptkb:Julia_Roberts
|
|
gptkbp:bfsLayer
|
4
|