|
gptkbp:instance_of
|
gptkb:artwork
|
|
gptkbp:art_movement
|
gptkb:Expressionism
|
|
gptkbp:art_style
|
gptkb:organization
Color theory
Emotional depth
Layering
Personal narrative
Expressive brushstrokes
Figurative painting
Human condition
Awards and honors
Global art scene
Human relationships
International acclaim
Critique of society
Intuitive painting
Exploration of memory
Abstract elements
|
|
gptkbp:artistic_influence
|
gptkb:Francisco_Goya
Art history
Influence on contemporary artists
Contemporary discourse
|
|
gptkbp:artistic_legacy
|
Contemporary South African art
|
|
gptkbp:artwork
|
gptkb:Mixed_media
|
|
gptkbp:collaborations
|
Various galleries
|
|
gptkbp:collection
|
gptkb:Museum_of_Modern_Art,_New_York
|
|
gptkbp:color
|
Muted tones
|
|
gptkbp:creator
|
gptkb:Marlene_Dumas
|
|
gptkbp:cultural_impact
|
Post-apartheid South Africa
|
|
gptkbp:cultural_significance
|
Exploration of identity
|
|
gptkbp:dimensions
|
200 x 300 cm
|
|
gptkbp:exhibition
|
gptkb:Venice_Biennale_2005
gptkb:Marlene_Dumas:_The_Image_as_Burden
Solo exhibitions worldwide
|
|
gptkbp:influence
|
gptkb:philosopher
|
|
gptkbp:influenced_by
|
gptkb:philosopher
|
|
gptkbp:inspired_by
|
Leonardo da Vinci's The Last Supper
|
|
gptkbp:location
|
gptkb:Museum_of_Modern_Art,_New_York
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:mood
|
Melancholic
|
|
gptkbp:narrative_style
|
Storytelling through art
|
|
gptkbp:notable_feature
|
Reinterpretation of the Last Supper
|
|
gptkbp:reader_demographic
|
Personal and subjective
|
|
gptkbp:style
|
Contemporary art
|
|
gptkbp:subject
|
Figures and faces
|
|
gptkbp:symbolism
|
gptkb:Betrayal
|
|
gptkbp:technique
|
Brushwork
|
|
gptkbp:theme
|
Religious symbolism
|
|
gptkbp:themes
|
Love and loss
Existential questions
|
|
gptkbp:year_created
|
gptkb:2005
|
|
gptkbp:bfsParent
|
gptkb:Marlene_Dumas
|
|
gptkbp:bfsLayer
|
4
|