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gptkbp:instance_of
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gptkb:opera
gptkb:historical_figure
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|
gptkbp:action
|
three acts
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|
gptkbp:adaptation
|
gptkb:film_adaptations
concert performances
stage adaptations
film adaptations exist
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|
gptkbp:alliance
|
gptkb:Franco-Scottish_alliance
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|
gptkbp:artistic_vision
|
Paintings and portraits
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|
gptkbp:associated_with
|
gptkb:Mary_Queen_of_Scots
gptkb:Scottish_Nationalism
|
|
gptkbp:audience
|
popular with audiences
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|
gptkbp:based_on
|
Maria Stuart by Friedrich Schiller
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gptkbp:birth_place
|
gptkb:Linlithgow_Palace
|
|
gptkbp:born
|
December 8, 1542
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|
gptkbp:burial_place
|
gptkb:Peterborough_Cathedral
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gptkbp:composer
|
gptkb:Gaetano_Donizetti
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gptkbp:conflict
|
gptkb:Scottish_Reformation
Mary's marriage to Darnley
Struggle for power in Scotland.
Mary vs Elizabeth
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|
gptkbp:cousin
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gptkb:Elizabeth_I
|
|
gptkbp:critical_reception
|
generally positive
mixed reviews at premiere
rediscovered in the late 20th century
|
|
gptkbp:crowned
|
gptkb:Queen_of_the_United_Kingdom
September 9, 1543
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|
gptkbp:cultural_impact
|
inspired literature and art
Inspiration for literature and opera
Subject of numerous books and films.
revival of bel canto operas
|
|
gptkbp:cultural_representation
|
gptkb:The_Tragedy_of_Mary_Stuart
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gptkbp:cultural_significance
|
important in opera repertoire
represents historical drama in opera
|
|
gptkbp:cultural_symbol
|
Romantic tragedy
Icon of the Renaissance.
|
|
gptkbp:died
|
February 8, 1587
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gptkbp:director
|
staged by prominent directors
|
|
gptkbp:famous_quote
|
“ In my end is my beginning.”
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|
gptkbp:father
|
gptkb:James_V_of_Scotland
|
|
gptkbp:first_performance
|
gptkb:Teatro_di_Napoli
|
|
gptkbp:full_name
|
gptkb:Mary_Stuart
|
|
gptkbp:genre
|
bel canto
|
|
gptkbp:historical_analysis
|
Analyzed in various historical contexts.
|
|
gptkbp:historical_context
|
16th century
set in the 16th century
16th century Europe.
Her life reflects the tumultuous times.
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|
gptkbp:historical_debate
|
Debate over her role in Scottish politics.
Her legitimacy as queen
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|
gptkbp:historical_documentation
|
gptkb:Letters_of_Mary_Stuart
Her letters are of historical importance.
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gptkbp:historical_event
|
gptkb:Battle_of_Langside
Her execution was a significant event.
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|
gptkbp:historical_figures
|
gptkb:Mary_Stuart
gptkb:Elizabeth_Tudor
|
|
gptkbp:historical_impact
|
Influence on future monarchs.
Influence on succession crises in England.
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|
gptkbp:historical_interpretation
|
Various interpretations by historians.
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gptkbp:historical_legacy
|
Enduring fascination in popular culture.
|
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gptkbp:historical_period
|
Tudor period
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|
gptkbp:historical_research
|
Extensive scholarly studies
Subject of extensive historical study.
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|
gptkbp:historical_role
|
Queen and political figure.
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|
gptkbp:historical_significance
|
Key figure in Scottish history.
Legitimacy claims to the English throne
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gptkbp:house
|
gptkb:House_of_Stuart
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Maria Stuarda
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gptkbp:influence
|
gptkb:opera
Scottish history
bel canto style
|
|
gptkbp:influenced
|
later operas by Bellini
later operas by Verdi
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|
gptkbp:influenced_by
|
gptkb:Romanticism
Italian opera tradition
|
|
gptkbp:is_a_representation_of
|
Represented in various art forms.
|
|
gptkbp:is_a_symbol_of
|
Symbol of royal tragedy.
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:legacy
|
Symbol of female power and tragedy
|
|
gptkbp:librettist
|
Giovanni Battista Romani
|
|
gptkbp:libretto
|
gptkb:Giovanni_Battista_Cammarano
|
|
gptkbp:main_character
|
gptkb:Elizabeth_I_of_England
gptkb:Mary,_Queen_of_Scots
gptkb:Elizabeth_I
|
|
gptkbp:modern_relevance
|
Still relevant in discussions of monarchy.
|
|
gptkbp:mother
|
gptkb:Mary_of_Guise
|
|
gptkbp:music_style
|
lyrical melodies
dramatic tension
|
|
gptkbp:narrative
|
Her life is a narrative of conflict.
Her life story is widely told.
Her story is a cautionary tale.
|
|
gptkbp:nickname
|
gptkb:Mary,_Queen_of_Scots
|
|
gptkbp:notable_aria
|
Ah! mes amis, quel jour de fête!
O nube che leggiadra
Deh! tu di un'ale al volo
|
|
gptkbp:notable_collaborations
|
Vivi, ingrato
L'ora è fatal
|
|
gptkbp:notable_collection
|
finale of Act 3
|
|
gptkbp:notable_conductors
|
conducted by many famous conductors
|
|
gptkbp:notable_performers
|
many renowned sopranos
mezzo-sopranos often perform
|
|
gptkbp:notable_production
|
gptkb:Teatro_alla_Scala
gptkb:Lyric_Opera_of_Chicago
gptkb:Royal_Opera_House,_Covent_Garden
gptkb:San_Francisco_Opera
gptkb:opera
|
|
gptkbp:notable_song
|
Chorus of the People
Chorus of English Lords
Chorus of Scottish Lords
|
|
gptkbp:orchestration
|
gptkb:orchestra
full orchestra
|
|
gptkbp:performance_tradition
|
performed worldwide
Italian opera houses
|
|
gptkbp:portrayed_in
|
gptkb:Film_adaptations
|
|
gptkbp:premiere
|
1835
|
|
gptkbp:premiere_date
|
1835
|
|
gptkbp:recording_artist
|
gptkb:Anna_Netrebko
gptkb:Diana_Damrau
gptkb:Joyce_Di_Donato
gptkb:Lucia_Popp
gptkb:Renée_Fleming
|
|
gptkbp:recordings
|
multiple recordings available
|
|
gptkbp:reign
|
1567
1542
|
|
gptkbp:religion
|
gptkb:Catholicism
|
|
gptkbp:revival
|
frequently revived
|
|
gptkbp:rival
|
gptkb:Elizabeth_I_of_England
|
|
gptkbp:scholarly_analysis
|
subject of academic study
|
|
gptkbp:setting
|
England and Scotland
|
|
gptkbp:spouse
|
gptkb:James_Hepburn,_4th_Earl_of_Bothwell
gptkb:Henry_Stuart,_Lord_Darnley
|
|
gptkbp:successor
|
gptkb:James_VI_of_Scotland
|
|
gptkbp:thematic_element
|
gptkb:betrayal
gptkb:political_intrigue
gptkb:sacrifice
gptkb:Sister
love
power struggle
explores themes of loyalty
explores themes of freedom
explores themes of legitimacy
|
|
gptkbp:themes
|
gptkb:power
gptkb:identity
gptkb:sacrifice
|
|
gptkbp:title
|
gptkb:King_of_England
|
|
gptkbp:was_executed_by
|
gptkb:Fotheringhay_Castle
beheading
|
|
gptkbp:bfsParent
|
gptkb:Joyce_Di_Donato
gptkb:Gaetano_Donizetti
gptkb:Donizetti
gptkb:Donizetti's_operas
|
|
gptkbp:bfsLayer
|
5
|