|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:award
|
gptkb:Academy_Award_nomination
|
|
gptkbp:box_office
|
gptkb:$5_million
|
|
gptkbp:character
|
gptkb:Lucia
the friend
the mother
the grandmother
Jhonny
Blanca
the boss
the boyfriend
the drug lord
|
|
gptkbp:cinematography_by
|
gptkb:Juan_Carlos_Gil
|
|
gptkbp:country
|
gptkb:Colombia
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:cultural_impact
|
highlighted immigration issues
|
|
gptkbp:director
|
gptkb:Joshua_Marston
|
|
gptkbp:distributor
|
gptkb:Sony_Pictures_Classics
|
|
gptkbp:edited_by
|
gptkb:Zachary_Stewart
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Cali
gptkb:New_York_City
gptkb:Bogotá
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Maria Full of Grace
|
|
gptkbp:influenced_by
|
Latin American cinema
real-life events
social realism
female protagonists
documentary style
neorealism
realistic dialogue
human trafficking issues
character-driven narratives
visual storytelling techniques
cultural identity themes
moral dilemmas in storytelling
social issues in cinema
drug war narratives
emotional depth in characters
symbolism in film
immigration narratives
character arcs of resilience
family dynamics in crisis
realistic portrayals of poverty
|
|
gptkbp:language
|
gptkb:Spanish
|
|
gptkbp:main_character
|
gptkb:Maria
|
|
gptkbp:music_by
|
Rafael Pineda
|
|
gptkbp:premiere
|
gptkb:2004_Sundance_Film_Festival
|
|
gptkbp:producer
|
gptkb:Paul_Mezey
|
|
gptkbp:release_date
|
2004-01-01
|
|
gptkbp:runtime
|
101 minutes
|
|
gptkbp:screenings
|
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:screenplay_by
|
gptkb:Joshua_Marston
|
|
gptkbp:setting
|
gptkb:Colombia
|
|
gptkbp:theme
|
drug trafficking
|
|
gptkbp:bfsParent
|
gptkb:The_New_York_Latino_Film_Festival
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|
gptkbp:bfsLayer
|
5
|