Properties (47)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
musical composition
|
| gptkbp:associatedWith |
gptkb:Italian_Renaissance
|
| gptkbp:contains |
polyphonic textures
|
| gptkbp:createdBy |
gptkb:Claudio_Monteverdi
|
| gptkbp:culturalSignificance |
development of vocal music
|
| gptkbp:follows |
Madrigals,_Books_VI-X
|
| gptkbp:genre |
madrigal
|
| gptkbp:hasPerformance |
1605
|
| gptkbp:historicalContext |
transition_from_Renaissance_to_Baroque
|
| https://www.w3.org/2000/01/rdf-schema#label |
Madrigals, Books I-V
|
| gptkbp:influenced |
later composers
|
| gptkbp:influencedBy |
humanism
Renaissance_music |
| gptkbp:instrument |
gptkb:harpsichord
voice lute viol |
| gptkbp:language |
Italian
|
| gptkbp:legacy |
influence on contemporary composers
influence on choral music foundation for opera influence on art song |
| gptkbp:notableFeature |
love
mythology nature death emotional depth soloists longing Lamento d'Arianna use of dissonance word painting expressive text setting Si ch'io vorrei morire Zefiro torna vocalists of the time chamber_choirs |
| gptkbp:notableWork |
gptkb:Claudio_Monteverdi
|
| gptkbp:numberOfStudents |
5
|
| gptkbp:partOf |
gptkb:Monteverdi's_oeuvre
|
| gptkbp:performedBy |
theater
churches courts vocal ensembles |
| gptkbp:publishedBy |
Ricciardo Amadino
|
| gptkbp:publishedIn |
1605
|
| gptkbp:style |
early_Baroque
|