Statements (53)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical_composition
|
gptkbp:character_voice |
eight
|
gptkbp:characteristic |
polyphonic texture
|
gptkbp:cultural_significance |
reflects social and cultural life of the time
|
gptkbp:genre |
gptkb:Chanel
gptkb:hymns gptkb:Moto_GP gptkb:Toad |
gptkbp:historical_period |
16th century
|
https://www.w3.org/2000/01/rdf-schema#label |
Madrigali a otto voci
|
gptkbp:influenced |
Baroque music
|
gptkbp:influenced_by |
Italian poetry
|
gptkbp:music_composer |
gptkb:Claudio_Monteverdi
|
gptkbp:notable_traits |
gptkb:original_score
gptkb:cultural_exchange gptkb:Legacy gptkb:historical_context gptkb:voice_acting cultural references imitation audience engagement emotional depth textual interpretation performance practice thematic development dynamic contrasts stylistic diversity formal structure melodic lines expressive phrasing use of silence use of dissonance interpretative freedom contrapuntal techniques harmonic exploration rhythmic variety textual clarity word painting expressive text setting |
gptkbp:notable_works |
Madrigali a otto voci by Carlo Gesualdo
Madrigali a otto voci by Giovanni Battista Guarini Madrigali a otto voci by Giovanni Gabrieli Madrigali a otto voci by Luca Marenzio Madrigali a otto voci by Thomas Morley |
gptkbp:origin |
gptkb:Renaissance
|
gptkbp:performance |
gptkb:chamber_music
gptkb:musical_group |
gptkbp:performance_style |
a cappella
|
gptkbp:themes |
love
nature human emotion |
gptkbp:bfsParent |
gptkb:Luca_Marenzio
|
gptkbp:bfsLayer |
5
|