|
gptkbp:instanceOf
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gptkb:film
|
|
gptkbp:award
|
gptkb:Australian_Film_Institute_Award_for_Best_Editing
gptkb:Australian_Film_Institute_Award_for_Best_Sound
|
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gptkbp:boxOfficeGross
|
US$100 million
|
|
gptkbp:budget
|
A$350,000
|
|
gptkbp:character
|
gptkb:Max_Rockatansky
gptkb:Toecutter
gptkb:Jessie_Rockatansky
Goose
|
|
gptkbp:cinematography
|
gptkb:David_Eggby
|
|
gptkbp:countryOfOrigin
|
gptkb:Australia
|
|
gptkbp:director
|
gptkb:George_Miller
|
|
gptkbp:distributedBy
|
gptkb:Europe
gptkb:Japan
gptkb:United_States
|
|
gptkbp:distributor
|
gptkb:Roadshow_Film_Distributors
|
|
gptkbp:editingBy
|
gptkb:Cliff_Hayes
gptkb:Tony_Paterson
|
|
gptkbp:filmingLocation
|
gptkb:Melbourne,_Australia
|
|
gptkbp:genre
|
gptkb:action
gptkb:science_fiction
post-apocalyptic
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Mad Max (film)
|
|
gptkbp:language
|
English
|
|
gptkbp:musicBy
|
gptkb:Brian_May
gptkb:Mad_Max:_Original_Motion_Picture_Soundtrack
|
|
gptkbp:notableFor
|
influencing post-apocalyptic genre
launching Mel Gibson's career
|
|
gptkbp:partOfSeries
|
gptkb:Mad_Max_franchise
|
|
gptkbp:posterArtist
|
gptkb:Bill_Garland
|
|
gptkbp:producer
|
gptkb:Byron_Kennedy
|
|
gptkbp:productionCompany
|
gptkb:Kennedy_Miller_Productions
|
|
gptkbp:rating
|
gptkb:R_(Australia)
|
|
gptkbp:releaseDate
|
12 April 1979
|
|
gptkbp:runtime
|
93 minutes
|
|
gptkbp:sequel
|
gptkb:Mad_Max_2
|
|
gptkbp:setIn
|
gptkb:Australia
|
|
gptkbp:starring
|
gptkb:Mel_Gibson
gptkb:Hugh_Keays-Byrne
gptkb:Joanne_Samuel
gptkb:Steve_Bisley
|
|
gptkbp:writer
|
gptkb:James_McCausland
gptkb:George_Miller
|
|
gptkbp:bfsParent
|
gptkb:Ford_Falcon
|
|
gptkbp:bfsLayer
|
5
|