Statements (66)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical
|
| gptkbp:bfsLayer |
7
|
| gptkbp:bfsParent |
gptkb:Le_Livre_du_Voir_Dit
|
| gptkbp:associated_with |
the French court
the city of Reims the Avignon Papacy the cultural life of medieval France 14th century music the rise of polyphony |
| gptkbp:conservation_efforts |
gptkb:publishing_company
various music collections the Machaut manuscript |
| gptkbp:contains |
over 100 musical works
|
| gptkbp:contributed_to |
development of music notation
|
| gptkbp:created_by |
gptkb:Guillaume_de_Machaut
|
| gptkbp:explores |
religious themes
|
| https://www.w3.org/2000/01/rdf-schema#label |
Machaut's oeuvre
|
| gptkbp:includes |
gptkb:church
motets Chansons sacred songs secular songs Ballades liturgical settings sacred hymns sacred chants sacred motets litanies Rondeaux Virelais Dits amoureux Mass of Notre Dame polyphonic hymns |
| gptkbp:influenced |
later composers
Renaissance polyphony French music tradition the development of chanson the evolution of Western music the practice of choral music the structure of later masses |
| gptkbp:influenced_by |
gptkb:Ars_Nova
|
| gptkbp:is_characterized_by |
secular and sacred music
|
| gptkbp:is_recognized_by |
one of the first composers to write a complete mass
|
| gptkbp:is_reflected_in |
courtly love themes
|
| gptkbp:is_studied_in |
musicology
music historians music theory courses |
| gptkbp:notable_for |
gptkb:poet
emotional expression use of isorhythm innovative use of form melodic complexity polyphonic texture the use of counterpoint rhythmic variety textual clarity thematic unity the use of melodic lines text-music relationship use of refrains the exploration of musical forms the integration of poetry and music the use of modal scales |
| gptkbp:performed_by |
early music ensembles
medieval music festivals |
| gptkbp:represents |
the transition from medieval to Renaissance music
|