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gptkbp:instance_of
|
gptkb:fictional_character
|
|
gptkbp:appears_in
|
gptkb:In_Search_of_Lost_Time
|
|
gptkbp:associated_with
|
gptkb:the_Dreyfus_Affair
|
|
gptkbp:character_development
|
complex and evolving
|
|
gptkbp:class
|
gptkb:nobility
|
|
gptkbp:created_by
|
gptkb:Marcel_Proust
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:explores_themes
|
gptkb:identity
social status
desire
art and aesthetics
|
|
gptkbp:family
|
the de Charlus family
|
|
gptkbp:first_appearance
|
gptkb:Swann's_Way
|
|
gptkbp:gender
|
male
homosexual
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
M. de Charlus
|
|
gptkbp:influence_on
|
modern literature
|
|
gptkbp:influenced_by
|
French society of the time
Proust's own experiences
|
|
gptkbp:interacts_with
|
other characters in the novel
|
|
gptkbp:last_appearance
|
gptkb:Time_Regained
|
|
gptkbp:notable_quote
|
" Love is a form of madness."
" I am what I am."
" I am not a man of the world."
" Jealousy is the tribute that vice pays to virtue."
" Art is the most beautiful of lies."
|
|
gptkbp:notable_traits
|
gptkb:intelligence
gptkb:jealousy
sensitivity
artistic appreciation
|
|
gptkbp:occupation
|
gptkb:Nobleman
|
|
gptkbp:portrayed_by
|
gptkb:various_adaptations
|
|
gptkbp:portrayed_in
|
gptkb:film_adaptations
television adaptations
theater adaptations
|
|
gptkbp:relationship_with
|
gptkb:Albertine_Simonet
|
|
gptkbp:symbolizes
|
the conflict between tradition and modernity
the complexities of love
the struggles of the aristocracy
|
|
gptkbp:bfsParent
|
gptkb:La_Recherche
gptkb:Finding_Time_Again
|
|
gptkbp:bfsLayer
|
6
|