Lytton's The Disowned

GPTKB entity

Statements (63)
Predicate Object
gptkbp:instanceOf novel
gptkbp:adaptation theatrical performance
film adaptations
gptkbp:artMovement foreshadowing
Victorian prose
gptkbp:associatedWith dynamic
complex and layered
conflicted relationships
gptkbp:author gptkb:Edward_Bulwer-Lytton
gptkbp:character gptkb:Henry_Morley
central to the plot
redemptive
against societal norms
gptkbp:characterDevelopment complex
significant
driven by past experiences
gptkbp:characterTraits relatable
gptkbp:community_engagement thought-provoking
gptkbp:conflict internal and external
satisfying conclusion
gptkbp:critical_reception mixed reviews
gptkbp:criticalReception examined in literary studies
gptkbp:cultural_impact influenced discussions on identity.
reflected in adaptations
gptkbp:cultural_significance still discussed today
gptkbp:description detailed
gptkbp:evaluates somewhat accurate
gptkbp:followedBy The Caxtons
gptkbp:genre historical fiction
gptkbp:historical_figure mentioned in the text
gptkbp:historicalContext 19th century
reflects societal norms
https://www.w3.org/2000/01/rdf-schema#label Lytton's The Disowned
gptkbp:influence Victorian literature
modern literature
gptkbp:influenced Gothic fiction
influenced historical novels
gptkbp:inspiration later authors
gptkbp:ISBN not available
gptkbp:language English
gptkbp:moral redemption and forgiveness
gptkbp:motif family ties
gptkbp:narrativeStyle third-person
linear
identity and belonging
omniscient narrator
gptkbp:notableWork The Last Days of Pompeii
gptkbp:pageCount approximately 300
gptkbp:plot romantic subplots
unexpected revelations
gptkbp:publishedBy 1828
gptkbp:publisher gptkb:Richard_Bentley
gptkbp:route self-discovery
from disowned to accepted
gptkbp:setting gptkb:England
gptkbp:significance explores social issues
gptkbp:style melodramatic
gptkbp:symbolism disowned status
gptkbp:symbolizes disownment
gptkbp:theme betrayal
identity
redemption
social class