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gptkbp:instance_of
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gptkb:poetry
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gptkbp:amended_by
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1800
1805 edition
1802 edition
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gptkbp:associated_with
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gptkb:Lake_Poets
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gptkbp:author
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gptkb:William_Wordsworth
gptkb:Samuel_Taylor_Coleridge
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gptkbp:contains
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gptkb:The_Convergence_of_the_Twain
gptkb:The_Nightingale
gptkb:The_Prelude_(1805)
gptkb:The_Prelude_(1850)
gptkb:The_Ruined_Cottage
gptkb:Lines_Written_in_Early_Spring
gptkb:The_Solitary_Reaper
gptkb:The_Tables_Turned
gptkb:The_Prelude
gptkb:The_Two_April_Mornings
gptkb:The_Complaint_of_a_Forsaken_Indian_Woman
gptkb:The_Cottager's_Saturday_Night
gptkb:The_Female_Vagrant
gptkb:The_Idiot_Boy
gptkb:The_Last_of_the_Flock
gptkb:The_Thorn
poems
The Excursion
The Daffodils
poems about rural life
preface
poems reflecting personal experiences
The Mad Mother
poems about common people
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gptkbp:critical_reception
|
mixed reviews
mixed reviews initially
positive later recognition
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gptkbp:cultural_impact
|
foundation of Romanticism
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gptkbp:cultural_significance
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high
focus on nature
emphasis on emotion
use of everyday language
pioneering work
shift in poetic style
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gptkbp:debut_year
|
1800
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|
gptkbp:first_edition
|
1798 edition
1800 edition
1802 edition
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gptkbp:first_published
|
1798
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|
gptkbp:focus
|
common life
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gptkbp:focuses_on
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gptkb:attraction
nature
common life
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gptkbp:format
|
two volumes
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gptkbp:genre
|
Romantic poetry
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gptkbp:has_reception
|
considered revolutionary
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|
https://www.w3.org/2000/01/rdf-schema#label
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Lyrical Ballads
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gptkbp:impact
|
gptkb:literature
inspired future poets
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|
gptkbp:includes
|
gptkb:Tintern_Abbey
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|
gptkbp:influence
|
gptkb:Romantic_movement
modern poetry
|
|
gptkbp:influenced
|
gptkb:Romantic_movement
gptkb:literary_criticism
modern poetry
Victorian poets
poets like John Keats
poets like Percy Bysshe Shelley
poets like Lord Byron
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gptkbp:influenced_by
|
gptkb:German_Romanticism
|
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gptkbp:inspired
|
gptkb:the_Pre-Raphaelite_Brotherhood
future poets
the Lake Poets
the English Romantic movement
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gptkbp:introduction_written_by
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gptkb:William_Wordsworth
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gptkbp:is_acclaimed_for
|
yes
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gptkbp:language
|
English
common speech
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|
gptkbp:notable_features
|
exploration of nature
use of everyday language
experimentation with form
focus on emotion
|
|
gptkbp:notable_song
|
gptkb:The_Nightingale
gptkb:Lines_Composed_a_Few_Miles_Above_Tintern_Abbey
gptkb:Tintern_Abbey
gptkb:The_Rime_of_the_Ancient_Mariner
gptkb:The_Solitary_Reaper
gptkb:The_Tables_Turned
gptkb:The_Prelude
gptkb:The_Complaint_of_a_Forsaken_Indian_Woman
gptkb:The_Cottager's_Saturday_Night
gptkb:The_Female_Vagrant
gptkb:The_Idiot_Boy
gptkb:The_Last_of_the_Flock
gptkb:The_Thorn
The Daffodils
The Mad Mother
The Two Thieves
The Waterfall and the Eglantine
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|
gptkbp:notable_work
|
gptkb:Lines_Composed_a_Few_Miles_Above_Tintern_Abbey
gptkb:The_Rime_of_the_Ancient_Mariner
|
|
gptkbp:preface_author
|
gptkb:William_Wordsworth
|
|
gptkbp:published
|
1798
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gptkbp:published_by
|
gptkb:Joseph_Cottle
gptkb:William_Wordsworth
gptkb:Samuel_Taylor_Coleridge
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gptkbp:published_in
|
gptkb:Bristol
1798
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gptkbp:significance
|
launch of the Romantic Age in English literature
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|
gptkbp:style
|
gptkb:storytelling
lyrical
lyrical and narrative
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|
gptkbp:theme
|
gptkb:attraction
gptkb:memory
nature
imagination
human experience
sublime
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|
gptkbp:themes
|
gptkb:attraction
nature
the supernatural
|
|
gptkbp:bfsParent
|
gptkb:William_Wordsworth
gptkb:Samuel_Taylor_Coleridge
gptkb:Heinrich_Heine
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|
gptkbp:bfsLayer
|
4
|