|
gptkbp:instanceOf
|
gptkb:comic_book
|
|
gptkbp:adaptation
|
Netflix_series
|
|
gptkbp:adaptedInto
|
animated series
|
|
gptkbp:artist
|
gptkb:George_Tuska
|
|
gptkbp:character
|
gptkb:Luke_Cage
Diamondback
|
|
gptkbp:characterDevelopment
|
Luke_Cage's_backstory
|
|
gptkbp:collectibility
|
Luke_Cage,_Hero_for_Hire_#1-6
|
|
gptkbp:colors
|
gptkb:L._B._Cole
|
|
gptkbp:criticalReception
|
positive
|
|
gptkbp:crossover
|
gptkb:The_Avengers
|
|
gptkbp:culturalImpact
|
representation_of_African_American_heroes
|
|
gptkbp:editor
|
gptkb:Roy_Thomas
|
|
gptkbp:fanBase
|
comic book enthusiasts
comic book collectors
|
|
gptkbp:firstAppearance
|
gptkb:Luke_Cage
|
|
gptkbp:genre
|
superhero
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Luke Cage, Hero for Hire #1
|
|
gptkbp:impact
|
cultural representation
|
|
gptkbp:influenced
|
gptkb:Luke_Cage_Netflix_series
hip hop culture
future superhero comics
|
|
gptkbp:influencedBy
|
blaxploitation films
social issues of the 1970s
|
|
gptkbp:issueNumber
|
1
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influential superhero comic
|
|
gptkbp:majorIndustry
|
social justice
|
|
gptkbp:merchandise
|
action figures
|
|
gptkbp:notableArtists
|
gptkb:John_Romita_Sr.
|
|
gptkbp:notableFeature
|
gptkb:Luke_Cage,_Hero_for_Hire_#6
gptkb:Luke_Cage,_Hero_for_Hire_#2
gptkb:Luke_Cage,_Hero_for_Hire_#3
gptkb:Luke_Cage,_Hero_for_Hire_#4
gptkb:Luke_Cage,_Hero_for_Hire_#5
Power Man
|
|
gptkbp:notableWriters
|
Chris Claremont
|
|
gptkbp:pageCount
|
32
|
|
gptkbp:publishedBy
|
gptkb:Marvel_Comics
|
|
gptkbp:publishes
|
gptkb:Marvel_Masterworks
|
|
gptkbp:releaseDate
|
June 1972
|
|
gptkbp:series
|
Luke_Cage,_Hero_for_Hire
|
|
gptkbp:setting
|
gptkb:Harlem
|
|
gptkbp:style
|
Bronze Age
|
|
gptkbp:theme
|
urban crime
|
|
gptkbp:wrote
|
gptkb:Archie_Goodwin
|