Statements (23)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:person
|
| gptkbp:almaMater |
gptkb:École_des_Hautes_Études_en_Sciences_Sociales
|
| gptkbp:birthDate |
1960
|
| gptkbp:birthPlace |
gptkb:Caracas
|
| gptkbp:curatedBy |
30th São Paulo Biennial
|
| gptkbp:fieldOfWork |
art criticism
Latin American art |
| gptkbp:hasWorkedWith |
gptkb:Museum_of_Modern_Art
|
| https://www.w3.org/2000/01/rdf-schema#label |
Luis Pérez-Oramas
|
| gptkbp:language |
gptkb:French
gptkb:Spanish English |
| gptkbp:nationality |
gptkb:Venezuelan
|
| gptkbp:notableWork |
La (in)actualidad de la pintura y vericuetos de la imagen
El cuaderno de Blas Coll La (in)actualidad de la pintura La dama de Elche y otros ensayos |
| gptkbp:occupation |
gptkb:poet
gptkb:art_historian essayist curator |
| gptkbp:bfsParent |
gptkb:Lygia_Clark:_The_Abandonment_of_Art,_1948–1988_(MoMA_exhibition)
|
| gptkbp:bfsLayer |
7
|