Statements (117)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:fictional_character
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:A_Room_with_a_View
gptkb:Cecil_Vyse |
| gptkbp:appears_in |
gptkb:A_Room_with_a_View
|
| gptkbp:conflict |
Societal expectations
|
| gptkbp:created_by |
gptkb:E._M._Forster
|
| gptkbp:demands |
Authenticity
|
| gptkbp:developer |
Personal growth
|
| gptkbp:examines |
Narrative analysis
Feminist scholars |
| gptkbp:explores |
gptkb:TV_series
gptkb:organization Personal desires The concept of freedom The impact of society on the individual The nature of love Love and freedom Emotional fulfillment |
| gptkbp:faced |
Moral dilemmas
|
| gptkbp:family |
Honeychurch family
|
| gptkbp:first_appearance |
1908
|
| gptkbp:friend |
gptkb:Charlotte_Bartlett
|
| gptkbp:gender |
gptkb:philosopher
|
| gptkbp:has_conflict_with |
gptkb:political_movement
Social norms Societal expectations Love and duty |
| gptkbp:has_friend |
gptkb:George_Emerson
|
| https://www.w3.org/2000/01/rdf-schema#label |
Lucy Honeychurch
|
| gptkbp:influenced_by |
gptkb:award
|
| gptkbp:influences |
Feminist literature
|
| gptkbp:inspired_by |
Art and culture
Italian landscape |
| gptkbp:is_affected_by |
Class differences
|
| gptkbp:is_analyzed_in |
Literary criticism
Literary critics Feminist theory |
| gptkbp:is_associated_with |
gptkb:Florence
Romantic relationships The English countryside The Edwardian era |
| gptkbp:is_challenged_by |
gptkb:Cecil_Vyse
Conformity Traditional values Personal desires Cultural expectations Conventional roles Personal expectations |
| gptkbp:is_character_in |
gptkb:A_Room_with_a_View
|
| gptkbp:is_cited_in |
Literary references
|
| gptkbp:is_compared_to |
gptkb:Charlotte_Bartlett
|
| gptkbp:is_connected_to |
The concept of love
The theme of self-discovery The theme of choice The theme of personal choice The theme of self-actualization The theme of travel |
| gptkbp:is_considered |
Cultural studies
|
| gptkbp:is_considered_as |
A literary archetype
|
| gptkbp:is_criticized_for |
Literary critiques
|
| gptkbp:is_discussed_in |
Academic papers
|
| gptkbp:is_engaged_in |
gptkb:Cecil_Vyse
|
| gptkbp:is_explored_in |
Character studies
Her relationships Character development studies |
| gptkbp:is_featured_in |
Literary analysis
|
| gptkbp:is_from |
gptkb:England
|
| gptkbp:is_in_love_with |
gptkb:George_Emerson
|
| gptkbp:is_influenced_by |
gptkb:award
gptkb:Travel gptkb:Cultural_norms Historical context |
| gptkbp:is_involved_in |
Social commentary
Cultural critique The exploration of relationships Romantic conflicts |
| gptkbp:is_known_for |
Her journey of self-discovery
|
| gptkbp:is_linked_to |
The theme of choice
|
| gptkbp:is_motivated_by |
Desire for freedom
|
| gptkbp:is_part_of |
gptkb:Modernist_literature
British literature Literary canon Edwardian literature The Edwardian era The literary tradition of the early 20th century The narrative of A Room with a View |
| gptkbp:is_reflected_in |
Social commentary
Cultural discussions Modern relationships |
| gptkbp:is_related_to |
The Honeychurch family
|
| gptkbp:is_represented_in |
gptkb:Film_adaptations
Literary figures Theater adaptations |
| gptkbp:is_symbolic_of |
gptkb:philosopher
Individualism Social change Romantic ideals The struggle for autonomy The quest for happiness |
| gptkbp:main_character |
gptkb:A_Room_with_a_View
|
| gptkbp:nationality |
gptkb:British
|
| gptkbp:occupation |
gptkb:tourist_attraction
|
| gptkbp:portrayed_by |
gptkb:Film_adaptations
gptkb:Helena_Bonham_Carter Stage adaptations Television adaptations Various actresses Film actresses |
| gptkbp:relationship |
gptkb:Cecil_Vyse
gptkb:George_Emerson |
| gptkbp:set_in |
Early 20th century
|
| gptkbp:setting |
gptkb:Edwardian_England
|
| gptkbp:symbol |
The view from the window
|
| gptkbp:symbolizes |
Modern woman
|
| gptkbp:theme |
Self-discovery
|
| gptkbp:user_experience |
Personal growth
|