Statements (272)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
|
| gptkbp:action |
three acts
|
| gptkbp:adaptation |
gptkb:film_adaptation
gptkb:musical_adaptation gptkb:ballet gptkb:stage_adaptation novel by Sir Walter Scott |
| gptkbp:adaptations |
gptkb:film_adaptations
film adaptations exist adapted into various formats. |
| gptkbp:anna_netrebko |
gptkb:soprano
collaborated with renowned conductors performed in major opera houses recorded multiple versions of the role won awards for her performances |
| gptkbp:artistic_influence |
influenced later composers
|
| gptkbp:audience |
often elicits strong emotional responses
popular with audiences. |
| gptkbp:based_on |
gptkb:The_Bride_of_Lammermoor
The Bride of Lammermoor by Sir Walter Scott Sir Walter Scott's novel |
| gptkbp:character |
gptkb:Raimondo
gptkb:Edgardo_di_Ravenswood gptkb:Lucia_Ashton Enrico Ashton Alisa |
| gptkbp:character_development |
Edgardo's tragic fate
Enrico's ambition Lucia's descent into madness Lucia's descent into madness is central |
| gptkbp:character_relationships |
Edgardo and Enrico are rivals.
Lucia and Edgardo are lovers. Lucia and Enrico are siblings. |
| gptkbp:character_traits |
tragic
|
| gptkbp:character_voice |
gptkb:soprano
|
| gptkbp:characteristic |
Edgardo is portrayed as passionate.
Enrico is portrayed as ambitious. Lucia is often portrayed as tragic. |
| gptkbp:composed_by |
gptkb:Gaetano_Donizetti
|
| gptkbp:composer |
gptkb:Gaetano_Donizetti
|
| gptkbp:created_by |
gptkb:Gaetano_Donizetti
|
| gptkbp:critical_reception |
widely acclaimed
considered a masterpiece performed regularly |
| gptkbp:cultural_impact |
influenced later operas
performed worldwide influenced many adaptations adapted into films influential in opera repertoire influenced other operas |
| gptkbp:cultural_references |
in literature
in music in film referenced in literature and film |
| gptkbp:cultural_significance |
symbol of tragic love
reflects societal norms of the time analyzed in musicology studies explores themes of love and tragedy inspired various adaptations and interpretations performed in concert versions one of Donizetti's most famous works iconic role for sopranos often used in vocal competitions remains popular in modern repertoire considered a masterpiece of bel canto. one of Donizetti's most famous operas |
| gptkbp:director |
staged by prominent opera directors
directed by many renowned opera directors. |
| gptkbp:dmitri_hvorostovsky |
performed role of Edgardo
|
| gptkbp:famous_person |
gptkb:Raimondo
gptkb:Edgardo_di_Ravenswood gptkb:Lucia_Ashton Enrico Ashton Alisa |
| gptkbp:famous_quote |
gptkb:Il_dolce_suono
Regnava nel silenzio Quando rapito in estasi Spargi d'amaro pianto |
| gptkbp:finale_date |
tragic ending
|
| gptkbp:first_performance |
gptkb:Teatro_di_San_Carlo
1835 |
| gptkbp:focus |
love and betrayal
|
| gptkbp:gender |
gptkb:Female
|
| gptkbp:genre |
tragic opera
|
| gptkbp:has_reception |
widely acclaimed
|
| gptkbp:historical_context |
19th century opera
19th century Italy set in the 17th century bel canto style |
| gptkbp:historical_impact |
significant impact on opera.
|
| gptkbp:historical_legacy |
remains a staple in opera repertoire
remains a staple of the operatic repertoire remains a staple in opera houses. |
| gptkbp:historical_significance |
reflects societal norms of the time
important work in the operatic repertoire. |
| https://www.w3.org/2000/01/rdf-schema#label |
Lucia di Lammermoor
|
| gptkbp:influence |
inspired literature
inspired films inspired other operas inspired many singers |
| gptkbp:influence_on |
Romantic opera
|
| gptkbp:influenced |
gptkb:musical_theatre
|
| gptkbp:influenced_artists |
considered one of Donizetti's masterpieces
influenced Bellini influenced Puccini influenced Verdi |
| gptkbp:influenced_by |
influenced by earlier operatic traditions.
|
| gptkbp:influences |
Bel canto tradition
|
| gptkbp:inspiration |
other operas
inspired various art forms. |
| gptkbp:joan_sutherland |
performed the role of Lucia
|
| gptkbp:language |
gptkb:Italian
|
| gptkbp:librettist |
gptkb:Salvadore_Cammarano
|
| gptkbp:libretto |
gptkb:Salvadore_Cammarano
|
| gptkbp:main_character |
gptkb:Edgardo_di_Ravenswood
gptkb:Lucia_Ashton Enrico Ashton |
| gptkbp:music_style |
Bel canto
tragic opera bel canto intense emotional scenes three acts with a tragic conclusion characterized by lyrical melodies. features dramatic tension. |
| gptkbp:musical_elements |
features intricate vocal lines.
|
| gptkbp:natalie_dessay |
performed role of Lucia
|
| gptkbp:notable_aria |
gptkb:Il_dolce_suono
Regnava nel silenzio includes ' Ah! non credea mirarti'. includes ' Il dolce suono'. includes ' Quando rapito in estasi'. includes ' Regnava nel silenzio'. includes ' Spargi d'amaro pianto'. |
| gptkbp:notable_character |
baritone role
tenor role soprano role |
| gptkbp:notable_collaborations |
gptkb:Il_dolce_suono
Dalla sua pace Doppio Sogno Verranno a te sull'aure |
| gptkbp:notable_collection |
Il segreto per esser felici
Chi mi frena in tal momento? features prominent ensemble pieces. |
| gptkbp:notable_conductors |
conducted by famous maestros
conducted by many famous conductors. |
| gptkbp:notable_event |
featured in opera festivals.
|
| gptkbp:notable_performance |
gptkb:Kristine_Opolais
gptkb:Elena_Garanca gptkb:Svetlana_Vasileva gptkb:Agnieszka_Rehlis gptkb:Anna_Caterina_Antonacci gptkb:Anna_Netrebko gptkb:Diana_Damrau gptkb:Joyce_Di_Donato gptkb:Lucia_Popp gptkb:Nina_Stemme gptkb:Elena_Mosuc gptkb:Joan_Sutherland gptkb:Sophie_Koch gptkb:Anja_Harteros gptkb:Angela_Gheorghiu gptkb:Renée_Fleming gptkb:Sumi_Jo gptkb:Ying_Fang gptkb:Sondra_Radvanovsky gptkb:Nadine_Sierra gptkb:Cecilia_Bartoli gptkb:Maria_Callas gptkb:Marta_Fumagalli gptkb:Sophie_Karthäuser gptkb:Svetlana_Sozdateleva gptkb:Sofia_Fomina gptkb:Lise_Davidsen gptkb:Mirella_Freni gptkb:Ailyn_Pérez gptkb:Patricia_Racette gptkb:Hanna_Hipp gptkb:Kiri_Te_Kanawa |
| gptkbp:notable_performances |
performed by many renowned sopranos
|
| gptkbp:notable_performers |
gptkb:Anna_Netrebko
gptkb:Diana_Damrau gptkb:Lucia_Popp gptkb:Renée_Fleming gptkb:Maria_Callas Lucia di Lammermoor has been performed by many famous sopranos. |
| gptkbp:notable_production |
gptkb:Teatro_alla_Scala
gptkb:Lyric_Opera_of_Chicago gptkb:La_Scala gptkb:Royal_Opera_House gptkb:Vienna_State_Opera gptkb:San_Francisco_Opera gptkb:opera Royal Opera House production La Scala production Metropolitan Opera production |
| gptkbp:notable_recordings |
gptkb:Netrebko_recording
Maria Callas's recording is iconic Callas recording Fleming recording Damrau recording |
| gptkbp:notable_scene |
mad scene
the wedding scene is pivotal |
| gptkbp:notable_song |
includes several famous arias.
chorus of the mourners chorus of the nobles chorus of the villagers chorus of the wedding guests |
| gptkbp:number_of_acts |
gptkb:3
three |
| gptkbp:orbital_period |
continues to resonate with modern audiences
|
| gptkbp:orchestration |
large orchestra
full orchestra orchestra and voices orchestral score by Donizetti |
| gptkbp:performance |
performed worldwide
performed worldwide since its premiere. traditionally staged with elaborate sets |
| gptkbp:performance_tradition |
frequently performed
often performed in opera houses worldwide sung in original Italian often performed in major opera houses often staged with dramatic effects |
| gptkbp:performed_at |
gptkb:Bavarian_State_Opera
gptkb:Chicago_Lyric_Opera gptkb:Covent_Garden gptkb:Lyric_Opera_of_Chicago gptkb:Opera_Philadelphia gptkb:Canadian_Opera_Company gptkb:Opera_Australia gptkb:La_Scala gptkb:Royal_Opera_House gptkb:Vienna_State_Opera gptkb:Sydney_Opera_House gptkb:San_Francisco_Opera gptkb:Washington_National_Opera gptkb:Opera_North gptkb:opera gptkb:National_Opera_of_Paris |
| gptkbp:performed_in |
performed in many languages.
|
| gptkbp:premiere |
1835
|
| gptkbp:premiere_location |
gptkb:Teatro_di_San_Carlo
|
| gptkbp:recordings |
gptkb:Renée_Fleming
numerous numerous recordings exist Lucia di Lammermoor by Anna Netrebko Lucia di Lammermoor by Joan Sutherland Lucia di Lammermoor by Maria Callas Lucia di Lammermoor by Dmitri Hvorostovsky Lucia di Lammermoor by Natalie Dessay |
| gptkbp:relationship_with |
gptkb:Edgardo_di_Ravenswood
|
| gptkbp:revival |
frequent
|
| gptkbp:setting |
gptkb:Scotland
|
| gptkbp:thematic_element |
gptkb:betrayal
gptkb:revenge gptkb:honor gptkb:death gptkb:sacrifice gptkb:family love madness forbidden love family conflict explores themes of love and betrayal. explores themes of honor and family duty |
| gptkbp:theme |
gptkb:betrayal
love madness recurring motifs throughout the opera |
| gptkbp:themes |
love and betrayal
|
| gptkbp:bfsParent |
gptkb:Dame_Joan_Sutherland
gptkb:The_Met_Opera |
| gptkbp:bfsLayer |
4
|