gptkbp:instance_of
|
gptkb:album
|
gptkbp:artist
|
gptkb:David_Bowie
|
gptkbp:chart_position
|
#1 on US Billboard 200 (for 1 week)
#11 on UK Albums Chart
|
gptkbp:collaborations
|
gptkb:Brian_Eno
gptkb:Tony_Visconti
|
gptkbp:cover_art
|
gptkb:Low_(album_cover)
|
gptkbp:critical_reception
|
widely acclaimed
|
gptkbp:followed_by
|
gptkb:Heroes_(album)
|
gptkbp:genre
|
gptkb:electronic
art rock
experimental rock
|
https://www.w3.org/2000/01/rdf-schema#label
|
Low (album)
|
gptkbp:influenced
|
ambient music
alternative music
indie rock bands
electronic music artists
post-punk music
music production techniques
David Bowie’s later work
|
gptkbp:influenced_by
|
gptkb:film_production_company
gptkb:Brian_Eno
|
gptkbp:is_featured_in
|
Rolling Stone's 500 Greatest Albums of All Time
NME's 500 Greatest Albums of All Time
|
gptkbp:label
|
gptkb:RCA_Records
|
gptkbp:length
|
38:47
|
gptkbp:notable_tracks
|
gptkb:Always_Crashing_in_the_Same_Car
gptkb:Warzawa
gptkb:Sound_and_Vision
Be My Wife
|
gptkbp:preceded_by
|
gptkb:Diamond_Dogs
|
gptkbp:producer
|
gptkb:Tony_Visconti
|
gptkbp:recording_location
|
gptkb:Trident_Studios,_London
Mountain Studios, Montreux
|
gptkbp:release_date
|
January 14, 1977
|
gptkbp:release_year
|
gptkb:1977
|
gptkbp:released
|
CD
vinyl
digital download
|
gptkbp:released_in
|
the 1970s
|
gptkbp:remastered
|
gptkb:2001
gptkb:2017
|
gptkbp:theme
|
alienation
isolation
melancholy
|
gptkbp:bfsParent
|
gptkb:Sound_and_Vision
|
gptkbp:bfsLayer
|
4
|