|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:Goya_Award_for_Best_Director
gptkb:Goya_Award_for_Best_Film
gptkb:Goya_Award_for_Best_Actress
gptkb:Goya_Award_for_Best_Original_Score
|
|
gptkbp:box_office
|
$209 million
|
|
gptkbp:character
|
gptkb:Grace_Stewart
gptkb:Mr._Tuttle
gptkb:Victor
The ghosts
The children
Anne Stewart
Mrs. Mills
Nicholas Stewart
|
|
gptkbp:cinematography
|
gptkb:Javier_Aguirresarobe
|
|
gptkbp:country
|
gptkb:Spain
gptkb:United_States
|
|
gptkbp:critical_reception
|
Positive reviews
|
|
gptkbp:cultural_impact
|
Cult following
Influence on horror genre
|
|
gptkbp:director
|
gptkb:Alejandro_Amenábar
|
|
gptkbp:distributor
|
gptkb:Universal_Pictures
|
|
gptkbp:editor
|
Nacho Ruiz Capillas
|
|
gptkbp:filming_location
|
gptkb:Spain
gptkb:United_Kingdom
|
|
gptkbp:genre
|
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Los otros
|
|
gptkbp:influences
|
gptkb:The_Sixth_Sense
gptkb:The_Others_(2001_film)
|
|
gptkbp:is_critical_for
|
Use of light and shadow.
Twist ending.
Themes of motherhood.
Exploration of psychological horror.
Symbolism of the house.
|
|
gptkbp:language
|
gptkb:Spanish
|
|
gptkbp:music_by
|
gptkb:Alejandro_Amenábar
|
|
gptkbp:narrative_style
|
Non-linear storytelling
|
|
gptkbp:plot
|
A woman and her two children live in a haunted house.
|
|
gptkbp:production_company
|
gptkb:Fernando_Meirelles
|
|
gptkbp:release_date
|
gptkb:2001
|
|
gptkbp:release_format
|
gptkb:DJ
gptkb:film
theatrical
|
|
gptkbp:remake
|
gptkb:None
|
|
gptkbp:runtime
|
101 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Alejandro_Amenábar
|
|
gptkbp:sequel
|
gptkb:None
|
|
gptkbp:setting
|
post-World War II
|
|
gptkbp:soundtrack
|
Original score by Alejandro Amenábar
|
|
gptkbp:starring
|
gptkb:Christopher_Eccleston
gptkb:Nicole_Kidman
gptkb:Fionnula_Flanagan
|
|
gptkbp:themes
|
gptkb:Isolation
gptkb:family
Grief
Fear of the unknown
|
|
gptkbp:bfsParent
|
gptkb:José_Luis_López_Vázquez
gptkb:Terele_Pávez
gptkb:Hispano_Foxfilm
|
|
gptkbp:bfsLayer
|
5
|