|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
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gptkbp:bfsParent
|
gptkb:Richard_Brooks
gptkb:The_Stepford_Wives
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:age
|
twenties
|
|
gptkbp:allows
|
controversial themes
|
|
gptkbp:author
|
gptkb:Judith_Rossner
|
|
gptkbp:awards
|
gptkb:award
gptkb:none
Golden Globe nomination
BAFTA nomination
nominated for awards
Diane Keaton received acclaim
Richard Brooks received nominations
|
|
gptkbp:based_on
|
gptkb:novel
Looking for Mr. Goodbar by Judith Rossner
Looking for Mr. Goodbar (novel) by Judith Rossner
Looking for Mr. Goodbar (novel)
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|
gptkbp:box_office
|
gptkb:$5_million
$10 million
|
|
gptkbp:budget
|
gptkb:$5_million
|
|
gptkbp:character
|
gptkb:Mr._Goodbar
gptkb:Gary
Theresa Dunn
Dr. Lillian
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|
gptkbp:character_arc
|
growth through experiences
Theresa's transformation
|
|
gptkbp:character_development
|
Theresa's journey
Theresa's relationships
Theresa's struggles
|
|
gptkbp:character_relationships
|
complex dynamics
internal struggles
moral choices
self-destructive behavior
varied relationships
|
|
gptkbp:cinematography
|
gptkb:Victor_J._Kemper
|
|
gptkbp:composer
|
gptkb:Milton_Babbitt
|
|
gptkbp:conflict
|
personal relationships
societal expectations
personal vs societal expectations
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_art
|
gptkb:unknown
|
|
gptkbp:critical_reception
|
controversial
mixed reviews
|
|
gptkbp:cultural_impact
|
influence on later films
explored themes of loneliness
influenced discussions on sexuality
discussions on feminism
discussions on sexuality
portrayal of relationships
discussions on safety
discussion of sexual health
depicted 1970s nightlife
portrayed the risks of casual relationships
exploration of nightlife
depiction of 1970s New York
discussions on dating
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|
gptkbp:cultural_references
|
1970s nightlife
|
|
gptkbp:cultural_significance
|
reflection of societal norms
exploration of women's issues
influence on LGBTQ+ representation
impact on feminist cinema
|
|
gptkbp:directed_by
|
gptkb:Richard_Brooks
|
|
gptkbp:director
|
gptkb:Richard_Brooks
gptkb:Hugh_Wilson
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
Marjorie Fowler
|
|
gptkbp:editor
|
gptkb:Dede_Allen
|
|
gptkbp:ends_at
|
tragic
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_score
|
gptkb:musical
|
|
gptkbp:filmography
|
gptkb:Diane_Keaton
gptkb:Richard_Gere
gptkb:Tuesday_Weld
|
|
gptkbp:followed_by
|
gptkb:August
|
|
gptkbp:genre
|
gptkb:Author
gptkb:High_School
gptkb:film
literary fiction
|
|
gptkbp:has_backstory
|
Theresa's upbringing
|
|
gptkbp:has_gameplay_element
|
the bar as a refuge
|
|
gptkbp:historical_context
|
post-Vietnam War America
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
released on Blu-ray
released on DVD
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Looking for Mr. Goodbar
|
|
gptkbp:influence
|
feminist literature
|
|
gptkbp:influenced
|
gptkb:television_series
|
|
gptkbp:influenced_artists
|
gptkb:Erica_Jong
|
|
gptkbp:influenced_by
|
gptkb:philosopher
gptkb:New_Hollywood_movement
1970s culture
1970s feminism
social changes in the 1970s
|
|
gptkbp:influences
|
gptkb:philosopher
|
|
gptkbp:inspiration
|
real-life events
Judith Rossner's experiences
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:is_critical_for
|
exploration of identity
|
|
gptkbp:is_criticized_for
|
feminist perspectives
|
|
gptkbp:is_motivated_by
|
desire for connection
|
|
gptkbp:isbn
|
978-0452280140
978-0-399-11300-0
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Educational_Institution
Theresa Dunn
|
|
gptkbp:motif
|
gptkb:musical
dancing
violence
drugs
search for love
|
|
gptkbp:music_by
|
gptkb:Milton_Nascimento
gptkb:Milton_Babbitt
|
|
gptkbp:narrative_style
|
first-person
third-person
omniscient narrator
|
|
gptkbp:narrative_theme
|
search for self
loneliness and desire
|
|
gptkbp:notable_appearance
|
Theresa's encounters in bars
Theresa's relationships with men
the climax involving violence
|
|
gptkbp:notable_quote
|
" Looking for Mr. Goodbar"
" You can't be a good girl and a bad girl at the same time."
|
|
gptkbp:occupation
|
gptkb:Educational_Institution
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:plot
|
linear narrative
|
|
gptkbp:plot_twist
|
unexpected ending
|
|
gptkbp:published_by
|
gptkb:1975
|
|
gptkbp:published_year
|
gptkb:1975
|
|
gptkbp:publisher
|
Putnam
|
|
gptkbp:reader_demographic
|
mixed reviews
cult following
varied perspectives
adult audience
|
|
gptkbp:release_date
|
gptkb:1977
January 1, 2023
October 7, 1977
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:1977
gptkb:2023
|
|
gptkbp:released
|
gptkb:1977
|
|
gptkbp:remake
|
Looking for Mr. Goodbar (2023)
|
|
gptkbp:runtime
|
116 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Richard_Brooks
|
|
gptkbp:series
|
standalone
|
|
gptkbp:setting
|
gptkb:Borough
|
|
gptkbp:social_responsibility
|
sexuality and safety
|
|
gptkbp:starring
|
gptkb:Diane_Keaton
gptkb:Tom_Berenger
gptkb:Richard_Gere
gptkb:Tuesday_Weld
|
|
gptkbp:style
|
realistic
|
|
gptkbp:symbolism
|
bars
nightlife
search for love
Theresa as a modern woman
bar as a social space
|
|
gptkbp:theme
|
gptkb:TV_series
danger
sexual liberation
|
|
gptkbp:themes
|
gptkb:TV_series
danger
sexual liberation
danger of promiscuity
|
|
gptkbp:writer
|
gptkb:Judith_Rossner
|
|
gptkbp:year
|
1970s
|