|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:film
|
|
gptkbp:author
|
gptkb:Judith_Rossner
|
|
gptkbp:awards
|
gptkb:none
gptkb:Academy_Award_nomination
Golden Globe nomination
BAFTA nomination
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|
gptkbp:based_on
|
gptkb:novel
Looking for Mr. Goodbar by Judith Rossner
Looking for Mr. Goodbar (novel) by Judith Rossner
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gptkbp:based_on_work
|
Looking for Mr. Goodbar (novel)
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|
gptkbp:book_series
|
standalone
|
|
gptkbp:box_office
|
gptkb:$5_million
$10 million
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|
gptkbp:budget
|
gptkb:$5_million
|
|
gptkbp:censorship
|
controversial themes
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|
gptkbp:character
|
gptkb:Mr._Goodbar
gptkb:Gary
Theresa Dunn
Dr. Lillian
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|
gptkbp:character_arc
|
growth through experiences
Theresa's transformation
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gptkbp:character_development
|
Theresa's journey
Theresa's relationships
Theresa's struggles
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|
gptkbp:character_motivation
|
desire for connection
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|
gptkbp:character_relationships
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complex dynamics
internal struggles
moral choices
self-destructive behavior
varied relationships
|
|
gptkbp:cinematography
|
gptkb:Victor_J._Kemper
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|
gptkbp:cinematography_by
|
gptkb:Victor_J._Kemper
|
|
gptkbp:conflict
|
personal relationships
societal expectations
personal vs societal expectations
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|
gptkbp:country
|
gptkb:United_States
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|
gptkbp:cover_artist
|
gptkb:unknown
|
|
gptkbp:critical_analysis
|
exploration of identity
|
|
gptkbp:critical_reception
|
controversial
mixed reviews
|
|
gptkbp:criticism
|
feminist perspectives
|
|
gptkbp:cultural_impact
|
influence on later films
explored themes of loneliness
influenced discussions on sexuality
discussions on feminism
discussions on sexuality
portrayal of relationships
discussions on safety
discussion of sexual health
depicted 1970s nightlife
portrayed the risks of casual relationships
exploration of nightlife
depiction of 1970s New York
discussions on dating
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|
gptkbp:cultural_references
|
1970s nightlife
|
|
gptkbp:cultural_significance
|
reflection of societal norms
exploration of women's issues
influence on LGBTQ+ representation
impact on feminist cinema
|
|
gptkbp:directed_by
|
gptkb:Richard_Brooks
|
|
gptkbp:director
|
gptkb:Richard_Brooks
gptkb:Hugh_Wilson
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
Marjorie Fowler
|
|
gptkbp:editing
|
gptkb:Dede_Allen
|
|
gptkbp:element
|
the bar as a refuge
|
|
gptkbp:ended
|
tragic
|
|
gptkbp:film
|
gptkb:Diane_Keaton
gptkb:Richard_Gere
gptkb:Tuesday_Weld
|
|
gptkbp:film_awards
|
nominated for awards
Diane Keaton received acclaim
Richard Brooks received nominations
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
gptkb:original_score
|
|
gptkbp:followed_by
|
gptkb:August
|
|
gptkbp:genre
|
gptkb:Fiction
gptkb:drama
gptkb:thriller
literary fiction
|
|
gptkbp:has_backstory
|
Theresa's upbringing
|
|
gptkbp:historical_context
|
post-Vietnam War America
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
released on Blu-ray
released on DVD
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Looking for Mr. Goodbar
|
|
gptkbp:influence
|
feminist literature
|
|
gptkbp:influenced
|
gptkb:television_shows
|
|
gptkbp:influenced_artists
|
gptkb:Erica_Jong
|
|
gptkbp:influenced_by
|
gptkb:New_Hollywood_movement
gptkb:feminism
1970s culture
1970s feminism
social changes in the 1970s
|
|
gptkbp:influences
|
gptkb:feminism
|
|
gptkbp:inspiration
|
real-life events
Judith Rossner's experiences
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:isbn
|
978-0452280140
978-0-399-11300-0
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
Theresa Dunn
|
|
gptkbp:motif
|
gptkb:music
dancing
violence
drugs
search for love
|
|
gptkbp:music_by
|
gptkb:Milton_Nascimento
gptkb:Milton_Babbitt
|
|
gptkbp:music_composer
|
gptkb:Milton_Babbitt
|
|
gptkbp:narrative
|
omniscient narrator
|
|
gptkbp:narrative_style
|
first-person
third-person
|
|
gptkbp:narrative_theme
|
search for self
loneliness and desire
|
|
gptkbp:notable_quote
|
" Looking for Mr. Goodbar"
" You can't be a good girl and a bad girl at the same time."
|
|
gptkbp:notable_scene
|
Theresa's encounters in bars
Theresa's relationships with men
the climax involving violence
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:plot
|
linear narrative
|
|
gptkbp:plot_twist
|
unexpected ending
|
|
gptkbp:protagonist
|
gptkb:educators
Theresa Dunn
|
|
gptkbp:protagonist_age
|
twenties
|
|
gptkbp:protagonist_occupation
|
gptkb:educators
|
|
gptkbp:published
|
gptkb:1975
|
|
gptkbp:published_year
|
gptkb:1975
|
|
gptkbp:publisher
|
Putnam
|
|
gptkbp:reader_demographic
|
mixed reviews
cult following
varied perspectives
adult audience
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1977
January 1, 2023
October 7, 1977
|
|
gptkbp:release_year
|
gptkb:1977
gptkb:2023
|
|
gptkbp:released
|
gptkb:1977
|
|
gptkbp:remake
|
Looking for Mr. Goodbar (2023)
|
|
gptkbp:runtime
|
116 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Richard_Brooks
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:social_issues
|
sexuality and safety
|
|
gptkbp:starring
|
gptkb:Diane_Keaton
gptkb:Tom_Berenger
gptkb:Richard_Gere
gptkb:Tuesday_Weld
|
|
gptkbp:symbolism
|
bars
nightlife
search for love
Theresa as a modern woman
bar as a social space
|
|
gptkbp:theme
|
gptkb:identity
danger
sexual liberation
|
|
gptkbp:themes
|
gptkb:identity
danger
sexual liberation
danger of promiscuity
|
|
gptkbp:writer
|
gptkb:Judith_Rossner
|
|
gptkbp:writing_style
|
realistic
|
|
gptkbp:year
|
1970s
|
|
gptkbp:bfsParent
|
gptkb:The_Stepford_Wives
|
|
gptkbp:bfsLayer
|
4
|