|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:basedOn
|
novel by Cécil Saint-Laurent
|
|
gptkbp:boxOfficeGross
|
commercial failure at release
|
|
gptkbp:cinematography
|
gptkb:Christian_Matras
|
|
gptkbp:colorProcess
|
gptkb:Technicolor
|
|
gptkbp:countryOfOrigin
|
gptkb:France
gptkb:West_Germany
|
|
gptkbp:criticalReception
|
later regarded as a masterpiece
|
|
gptkbp:director
|
gptkb:Max_Ophüls
|
|
gptkbp:distributor
|
gptkb:Gaumont
|
|
gptkbp:editingBy
|
gptkb:Madeleine_Gug
|
|
gptkbp:genre
|
biography
historical drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Lola Montès
|
|
gptkbp:language
|
gptkb:French
gptkb:German
English
|
|
gptkbp:musicBy
|
gptkb:Georges_Auric
|
|
gptkbp:notableFor
|
Max Ophüls' last film
innovative use of color and CinemaScope
|
|
gptkbp:releaseYear
|
1955
|
|
gptkbp:restored
|
2008
|
|
gptkbp:runtime
|
116 minutes
|
|
gptkbp:setting
|
19th century Europe
|
|
gptkbp:starring
|
gptkb:Martine_Carol
gptkb:Peter_Ustinov
gptkb:Anton_Walbrook
gptkb:Oskar_Werner
|
|
gptkbp:subject
|
gptkb:Lola_Montez
|
|
gptkbp:bfsParent
|
gptkb:Peter_Ustinov
gptkb:Max_Ophüls
|
|
gptkbp:bfsLayer
|
5
|