|
gptkbp:instanceOf
|
film
|
|
gptkbp:aspectRatio
|
1.85:1
|
|
gptkbp:awards
|
Best Director
|
|
gptkbp:boxOffice
|
$1 million
|
|
gptkbp:character
|
gptkb:Akiko's_Grandfather
the friend
the taxi driver
the old woman
the young man
the professor
|
|
gptkbp:cinematographyBy
|
gptkb:Ryuichi_Sakamoto
|
|
gptkbp:colors
|
color
|
|
gptkbp:country
|
gptkb:Japan
|
|
gptkbp:criticalReception
|
positive
|
|
gptkbp:culturalImpact
|
influenced filmmakers
discussed in film studies
analyzed for themes
|
|
gptkbp:director
|
gptkb:Abbas_Kiarostami
|
|
gptkbp:distributor
|
Kino Lorber
|
|
gptkbp:editor
|
Yasushi Shimamura
|
|
gptkbp:filmFestival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:filmingLocation
|
gptkb:Tokyo
|
|
gptkbp:filmography
|
feature film
|
|
gptkbp:genre
|
drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Like Someone in Love
|
|
gptkbp:influences
|
gptkb:Japanese_cinema
gptkb:Italian_neorealism
gptkb:French_New_Wave
|
|
gptkbp:inspiration
|
real-life experiences
|
|
gptkbp:language
|
Japanese
minimalistic
|
|
gptkbp:mainCharacter
|
Akiko
Mr._Takashi
|
|
gptkbp:musicComposer
|
gptkb:Ryuichi_Sakamoto
|
|
gptkbp:narrativeStyle
|
minimalist
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival_2012
|
|
gptkbp:productionCompany
|
gptkb:MK2_Productions
|
|
gptkbp:releaseDate
|
May 2012
|
|
gptkbp:releaseYear
|
2012
|
|
gptkbp:runtime
|
109 minutes
|
|
gptkbp:screenplayBy
|
gptkb:Abbas_Kiarostami
|
|
gptkbp:setting
|
gptkb:Tokyo
|
|
gptkbp:soundtrack
|
gptkb:Dolby_Digital
|
|
gptkbp:style
|
realism
ambiguity
subtlety
|
|
gptkbp:theme
|
loneliness
deception
connection
|