Statements (39)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Erato_Records
|
| gptkbp:arrangements |
arranged for various ensembles
|
| gptkbp:artistic_influence |
minimalism
|
| gptkbp:available_formats |
CD, vinyl, digital
|
| gptkbp:awards |
recognized in music awards
|
| gptkbp:characteristics |
ethereal soundscapes
|
| gptkbp:collaborations |
conductors and choirs
|
| gptkbp:composer |
gptkb:György_Ligeti
|
| gptkbp:critical_reception |
acclaimed by music critics
|
| gptkbp:cultural_impact |
Western classical tradition
widely performed in choral repertoire |
| gptkbp:cultural_significance |
important work in 20th-century choral music
|
| gptkbp:dedication |
to the choir of the Stuttgart Radio
|
| gptkbp:duration |
approximately 25 minutes
|
| gptkbp:form |
through-composed
|
| gptkbp:genre |
chamber choir music
|
| gptkbp:influenced |
film music composers
contemporary choral composers |
| gptkbp:influenced_by |
Eastern European folk music
|
| gptkbp:influences |
avant-garde music
|
| gptkbp:inspired_by |
gptkb:sports_team
|
| gptkbp:instrument |
a cappella choir
|
| gptkbp:involved_forces |
12-part choir
|
| gptkbp:language |
gptkb:Latin
|
| gptkbp:notable_features |
complex vocal textures
|
| gptkbp:notable_for |
use of micropolyphony
|
| gptkbp:notable_performance |
performed at the 1967 Donaueschingen Music Festival
|
| gptkbp:notable_recordings |
available on multiple albums
conducted by Pierre Boulez |
| gptkbp:performed_by |
major music festivals
various choirs worldwide |
| gptkbp:premiere_date |
gptkb:1967
|
| gptkbp:published_by |
gptkb:Universal_Edition
|
| gptkbp:related_works |
Lux Aeterna (film score)
|
| gptkbp:style |
modern classical
|
| gptkbp:themes |
eternity and transcendence
|
| gptkbp:year_composed |
gptkb:1966
|