Statements (49)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:video_games
gptkb:animated_film musicals graphic novels |
| gptkbp:adaptations |
gptkb:Romeo_+_Juliet
gptkb:West_Side_Story |
| gptkbp:critical_reception |
frequently studied in schools
widely regarded as one of Shakespeare's best works |
| gptkbp:cultural_impact |
inspired ballets
inspired songs inspired operas inspired novels inspired numerous films |
| gptkbp:first_performance |
1595
|
| gptkbp:genre |
gptkb:tragedy
|
| gptkbp:historical_context |
set in the 14th century
reflects the social norms of the time |
| https://www.w3.org/2000/01/rdf-schema#label |
Les amants de Vérone
|
| gptkbp:influence |
gptkb:theater
Western literature |
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Juliet_Capulet
gptkb:Romeo_Montague |
| gptkbp:notable_quote |
" A rose by any other name would smell as sweet."
" These violent delights have violent ends." " For I ne'er saw true beauty till this night." " What’s in a name? That which we call a rose by any other name would smell as sweet." |
| gptkbp:notable_scene |
gptkb:the_balcony_scene
the wedding scene the death of Mercutio the final death scene |
| gptkbp:performance_tradition |
performed worldwide
often adapted for modern audiences |
| gptkbp:plot |
gptkb:family
forbidden love tragic ending |
| gptkbp:setting |
gptkb:Verona
|
| gptkbp:symbolism |
the rose
the dagger the balcony the poison |
| gptkbp:theme |
gptkb:conflict
gptkb:fate love |
| gptkbp:title |
gptkb:Romeo_and_Juliet
|
| gptkbp:written_by |
gptkb:William_Shakespeare
|
| gptkbp:bfsParent |
gptkb:François-André_Danican_Philidor
|
| gptkbp:bfsLayer |
6
|