Properties (45)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
play
|
| gptkbp:adaptation |
film
ballet opera television |
| gptkbp:character |
gptkb:Mascarille
Alceste La_Grange Cathos Du_Croisy Magdelon |
| gptkbp:criticalReception |
well-received
|
| gptkbp:culturalImpact |
influenced modern comedy
|
| gptkbp:culturalSignificance |
reflects societal norms
remains relevant today challenges gender roles explores class distinctions highlights the absurdity of pretension |
| gptkbp:filmingLocation |
gptkb:Théâtre_du_Palais-Royal
|
| gptkbp:genre |
comedy
|
| gptkbp:hasPerformance |
1659
|
| gptkbp:historical_analysis |
analyzed in literature courses
interpreted in various ways examined for its themes discussed in theatre studies |
| gptkbp:historicalContext |
17th century France
|
| https://www.w3.org/2000/01/rdf-schema#label |
Les Précieuses ridicules
|
| gptkbp:influence |
gptkb:French_theatre
|
| gptkbp:inspiration |
literary works
musicals theatrical productions |
| gptkbp:language |
French
|
| gptkbp:notableFeature |
revivals
international festivals performed worldwide adaptations in other languages |
| gptkbp:notableQuote |
"C'est un grand malheur d'être une précieuse."
"Il faut être un peu fou pour être un peu sage." |
| gptkbp:officialLanguage |
French
|
| gptkbp:plot |
satirizes pretentiousness
|
| gptkbp:publishedIn |
1660
|
| gptkbp:setting |
gptkb:Paris
|
| gptkbp:style |
farce
|
| gptkbp:theme |
social satire
|
| gptkbp:wrote |
gptkb:Molière
|