|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Jacques_Prévert
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
novel by Pierre Mac Orlan
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
gptkb:Gaston
gptkb:Léon
gptkb:Mademoiselle
gptkb:Monsieur
Mireille
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
Louis Page
|
|
gptkbp:color
|
black and white
|
|
gptkbp:composer
|
gptkb:Joseph_Kosma
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influential in French cinema
|
|
gptkbp:cultural_significance
|
reflects post-war France
|
|
gptkbp:director
|
gptkb:Jacques_Becker
|
|
gptkbp:distributor
|
gptkb:Les_Films_Corona
|
|
gptkbp:editor
|
gptkb:Marguerite_Renoir
traditional
|
|
gptkbp:film_series
|
gptkb:none
|
|
gptkbp:filming_location
|
gptkb:Paris
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Les Portes de la nuit
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
gptkb:Italian_Neorealism
gptkb:theatre
gptkb:literary_work
art films
|
|
gptkbp:influences
|
gptkb:French_New_Wave
|
|
gptkbp:inspiration
|
surrealism
|
|
gptkbp:is_criticized_for
|
appreciated
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:legacy
|
considered a classic
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:origin
|
gptkb:Monarch
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Les_Films_du_Temps
|
|
gptkbp:release_date
|
1946-09-25
|
|
gptkbp:release_year
|
1946
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jacques_Becker
|
|
gptkbp:soundtrack
|
gptkb:Joseph_Kosma
|
|
gptkbp:starring
|
gptkb:Simone_Signoret
gptkb:Gaby_Morlay
gptkb:Jean_Gabin
|
|
gptkbp:themes
|
gptkb:festival
gptkb:loss
love
|
|
gptkbp:viewing_platform
|
theatrical release
|