|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Marcel_Carné
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
novel by Pierre Mac Orlan
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cinematography
|
Louis Page
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
inspired artists
inspired musicians
inspired writers
inspired filmmakers
|
|
gptkbp:director
|
gptkb:Jacques_Becker
|
|
gptkbp:distributor
|
gptkb:Cinédis
|
|
gptkbp:editor
|
gptkb:Marguerite_Renoir
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival_1946
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Les Portes de la Nuit
|
|
gptkbp:influenced
|
French cinema
film noir
romantic dramas
later French cinema
|
|
gptkbp:influenced_by
|
gptkb:French_New_Wave
|
|
gptkbp:inspiration
|
Parisian nightlife
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:legacy
|
considered a classic
|
|
gptkbp:music_by
|
gptkb:Joseph_Kosma
|
|
gptkbp:narrative_style
|
a love story
|
|
gptkbp:notable_appearance
|
the train station
the café scene
the final meeting
the night walk
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Les_Films_du_Temps
|
|
gptkbp:release_date
|
1946-09-25
|
|
gptkbp:release_year
|
1946
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jacques_Becker
|
|
gptkbp:set_in
|
gptkb:Paris
|
|
gptkbp:starring
|
gptkb:Simone_Signoret
gptkb:Gérard_Philipe
gptkb:Jean_Gabin
|
|
gptkbp:themes
|
gptkb:festival
gptkb:loss
love
reality
|