|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:ballet
gptkb:graphic_novel
gptkb:opera
gptkb:video_game
|
|
gptkbp:adaptation_year
|
gptkb:1988
gptkb:2003
gptkb:2016
|
|
gptkbp:adaptations
|
gptkb:theater
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:musical
gptkb:ballet
gptkb:television_series
gptkb:opera
gptkb:play
gptkb:film
|
|
gptkbp:author
|
gptkb:Pierre_Choderlos_de_Laclos
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Play
|
|
gptkbp:based_on
|
Les Liaisons Dangereuses (novel)
|
|
gptkbp:character
|
gptkb:Madame_de_Merteuil
gptkb:Monsieur_de_Valmont
gptkb:Danceny
gptkb:Madame_de_Tourvel
gptkb:Cécile_de_Volanges
|
|
gptkbp:character_development
|
gptkb:moral_ambiguity
complex characters
|
|
gptkbp:critical_reception
|
acclaimed
controversial
considered a classic
controversial upon release
|
|
gptkbp:cultural_impact
|
high
critique of aristocracy
|
|
gptkbp:cultural_references
|
inspired various artworks
referenced in literature
referenced in music
referenced in television
|
|
gptkbp:genre
|
gptkb:drama
epistolary novel
|
|
gptkbp:historical_context
|
pre-revolutionary France
aristocratic society
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Les Liaisons Dangereuses
|
|
gptkbp:influence
|
gptkb:literature
The Dangerous Liaisons Musical
|
|
gptkbp:influenced
|
gptkb:Cruel_Intentions
gptkb:literature
Valmont (film)
Les Liaisons Dangereuses (musical)
The Dangerous Liaisons (film)
|
|
gptkbp:influenced_by
|
gptkb:Pierre_Choderlos_de_Laclos
|
|
gptkbp:inspiration
|
gptkb:Cruel_Intentions
gptkb:Dangerous_Liaisons_(film)
Valmont (film)
|
|
gptkbp:inspired
|
gptkb:Dangerous_Liaisons_(1988_film)
Cruel Intentions (1999 film)
Valmont (1989 film)
Dangerous Liaisons (musical)
Les Liaisons Dangereuses (play)
|
|
gptkbp:language
|
gptkb:French
English
|
|
gptkbp:literary_significance
|
social commentary
psychological depth
exploration of morality
|
|
gptkbp:main_character
|
gptkb:Merteuil
gptkb:Valmont
|
|
gptkbp:narrative_style
|
gptkb:letters
epistolary
|
|
gptkbp:notable_characters
|
gptkb:Danceny
gptkb:Merteuil
gptkb:Madame_de_Tourvel
gptkb:Cécile_de_Volanges
gptkb:Valmont
|
|
gptkbp:notable_quote
|
" I am not a monster, I am a woman."
" The only way to get rid of temptation is to yield to it."
" It is not enough to be virtuous; one must also be seen to be virtuous."
|
|
gptkbp:notable_themes
|
gptkb:betrayal
gptkb:jealousy
gptkb:moral_ambiguity
gptkb:revenge
gptkb:social_class
gptkb:deception
gptkb:friendship
gptkb:feminism
romance
power dynamics
manipulation of love
|
|
gptkbp:original_language
|
gptkb:French
|
|
gptkbp:performed_at
|
gptkb:Royal_Court_Theatre
|
|
gptkbp:plot
|
gptkb:betrayal
gptkb:revenge
gptkb:deception
social commentary
romance
intrigue
|
|
gptkbp:premiered_on
|
gptkb:1985
|
|
gptkbp:published
|
1782
|
|
gptkbp:published_in
|
1782
|
|
gptkbp:setting
|
gptkb:France
|
|
gptkbp:style
|
tragic
dramatic
satirical
psychological
ironic
|
|
gptkbp:symbolism
|
gptkb:letters
games
power dynamics
|
|
gptkbp:theme
|
manipulation
seduction
|
|
gptkbp:themes
|
gptkb:revenge
manipulation
seduction
|
|
gptkbp:written_by
|
gptkb:Christopher_Hampton
|
|
gptkbp:bfsParent
|
gptkb:Christopher_Hampton
|
|
gptkbp:bfsLayer
|
4
|