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gptkbp:instance_of
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gptkb:play
|
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gptkbp:adaptations
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gptkb:theater_productions
|
|
gptkbp:adapted_into
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gptkb:films
gptkb:Television_producer
radio plays
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gptkbp:character_relationships
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gptkb:Old_Man_and_Guests
Old Man and Old Woman
Old Woman and Guests
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gptkbp:critical_reception
|
widely acclaimed
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gptkbp:cultural_impact
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influenced modern theatre
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gptkbp:cultural_references
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gptkb:art
gptkb:literature
gptkb:popular_culture
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gptkbp:director
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gptkb:Robert_Wilson
gptkb:Peter_Brook
Ionesco himself
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gptkbp:duration
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approximately 90 minutes
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gptkbp:genre
|
Absurdist theatre
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|
https://www.w3.org/2000/01/rdf-schema#label
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Les Chaises
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gptkbp:influence
|
gptkb:theatre_of_the_absurd
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gptkbp:influenced_artists
|
gptkb:Harold_Pinter
gptkb:David_Mamet
gptkb:Samuel_Beckett
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gptkbp:influenced_by
|
gptkb:Dadaism
gptkb:Surrealism
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gptkbp:inspired_by
|
the absurdity of life
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gptkbp:language
|
gptkb:French
|
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gptkbp:notable_awards
|
gptkb:Molière_Award
Tony Award nominations
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gptkbp:notable_characters
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gptkb:Old_Woman
gptkb:The_Guests
Old Man
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|
gptkbp:notable_performances
|
gptkb:West_End_productions
international festivals
Broadway productions
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gptkbp:notable_quote
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" There are no more chairs."
" We are waiting for the guests."
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gptkbp:original_language
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gptkb:French
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gptkbp:performance_style
|
non-linear narrative
physical theatre
dialogue-driven
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|
gptkbp:performed_in
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theatres worldwide
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gptkbp:premiere_location
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gptkb:Düsseldorf
|
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gptkbp:premiered_on
|
gptkb:1952
|
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gptkbp:published_in
|
1953
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gptkbp:related_works
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gptkb:Rhinocéros
gptkb:La_Leçon
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gptkbp:setting
|
an empty room
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gptkbp:style
|
minimalist
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gptkbp:symbolism
|
absence
waiting
empty chairs
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gptkbp:themes
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gptkb:existentialism
gptkb:communication
gptkb:identity
gptkb:memory
gptkb:society
human condition
|
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gptkbp:written_by
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gptkb:Eugène_Ionesco
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gptkbp:bfsParent
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gptkb:Olivier_Py
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gptkbp:bfsLayer
|
5
|