|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
minimalist
|
|
gptkbp:awards
|
gptkb:N/_A
|
|
gptkbp:based_on
|
gptkb:N/_A
|
|
gptkbp:box_office
|
gptkb:N/_A
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:cinematography
|
gptkb:William_Lubtchansky
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:country_of_origin
|
gptkb:France
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:criticism
|
gptkb:N/_A
|
|
gptkbp:cultural_impact
|
gptkb:N/_A
|
|
gptkbp:cultural_significance
|
explores youth and love in turbulent times
|
|
gptkbp:director
|
gptkb:Philippe_Garrel
|
|
gptkbp:distributor
|
gptkb:Les_Films_du_Losange
|
|
gptkbp:editing
|
gptkb:Marie-Josèphe_Yoyotte
non-linear
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival_2005
|
|
gptkbp:film_length
|
175 minutes
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:film_technique
|
gptkb:film
|
|
gptkbp:filming_location
|
gptkb:Paris
|
|
gptkbp:focus
|
young lovers
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:historical_context
|
post-1968 France
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Les Amants réguliers
|
|
gptkbp:influences
|
gptkb:French_New_Wave
May 1968 events
|
|
gptkbp:inspiration
|
personal experiences of director
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:language_spoken
|
naturalistic
|
|
gptkbp:music_composer
|
gptkb:Jean-Claude_Vannier
|
|
gptkbp:narrative
|
post-1968 Paris
|
|
gptkbp:narrative_style
|
realism
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:N/_A
|
|
gptkbp:release_date
|
May 2005
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:2005
|
|
gptkbp:runtime
|
175 minutes
|
|
gptkbp:screenplay
|
gptkb:Philippe_Garrel
|
|
gptkbp:soundtrack
|
gptkb:N/_A
|
|
gptkbp:starring
|
gptkb:Anna_Mouglalis
gptkb:Louis_Garrel
gptkb:Clémentine_Poidatz
|
|
gptkbp:themes
|
gptkb:revolution
gptkb:politics
gptkb:youth
love
|
|
gptkbp:viewing_format
|
gptkb:N/_A
|
|
gptkbp:bfsParent
|
gptkb:Philippe_Garrel
gptkb:Louis_Garrel
|
|
gptkbp:bfsLayer
|
5
|