|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:opera
gptkb:theater
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:2001
|
|
gptkbp:audience
|
popular among audiences
performed frequently
|
|
gptkbp:character_development
|
Agis's transformation
Hermocrate's realization
Philosine's growth
|
|
gptkbp:character_motivation
|
Agis's quest for identity
Hermocrate's protective nature
Philosine's love for Agis
|
|
gptkbp:character_relationships
|
Agis and Hermocrate
Philosine and Agis
Philosine and Hermocrate
|
|
gptkbp:critical_reception
|
well-received
considered a classic
|
|
gptkbp:cultural_significance
|
social commentary
exploration of gender roles
|
|
gptkbp:first_performance
|
1732
|
|
gptkbp:genre
|
gptkb:comedy
|
|
gptkbp:historical_context
|
Enlightenment era
French theatre evolution
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Le Triomphe de l' Amour
|
|
gptkbp:influence
|
gptkb:French_literature
|
|
gptkbp:influenced_by
|
gptkb:Corneille
gptkb:Molière
gptkb:Racine
|
|
gptkbp:inspiration
|
gptkb:Commedia_dell'arte
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:main_character
|
Philosine
|
|
gptkbp:notable_production
|
gptkb:Royal_Theatre
gptkb:Comédie-Française
|
|
gptkbp:notable_quote
|
“ Love is a game that two can play and both win.”
|
|
gptkbp:original_language
|
gptkb:French
|
|
gptkbp:performance_style
|
gptkb:romantic_comedy
farce
|
|
gptkbp:performance_tradition
|
French classical theatre
|
|
gptkbp:published_in
|
1732
|
|
gptkbp:setting
|
gptkb:Ancient_Greece
|
|
gptkbp:symbolism
|
masking and unmasking
theatricality of love
|
|
gptkbp:thematic_element
|
gptkb:social_class
gptkb:identity
romantic entanglements
|
|
gptkbp:theme
|
gptkb:deception
love
|
|
gptkbp:written_by
|
gptkb:Marivaux
|
|
gptkbp:bfsParent
|
gptkb:Jean-Baptiste_Lully
|
|
gptkbp:bfsLayer
|
5
|