|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Politician
|
|
gptkbp:adaptation
|
Orphic myth
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:budget
|
gptkb:unknown
|
|
gptkbp:character
|
gptkb:Eurydice
gptkb:Death
gptkb:The_Poet
gptkb:Orpheus
|
|
gptkbp:cinematography
|
gptkb:Henri_Alekan
|
|
gptkbp:color
|
black and white
|
|
gptkbp:composer
|
gptkb:Giorgio_Moroder
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:director
|
gptkb:Politician
|
|
gptkbp:distributor
|
gptkb:CIC
|
|
gptkbp:editor
|
gptkb:Micheline_Presle
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_series
|
gptkb:Orphée_trilogy
|
|
gptkbp:follows
|
gptkb:Orphée
|
|
gptkbp:genre
|
gptkb:Magic:_The_Gathering_set
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Le Testament d' Orphée
|
|
gptkbp:influenced
|
future filmmakers
|
|
gptkbp:influenced_by
|
gptkb:Monarch
|
|
gptkbp:influences
|
gptkb:painting
gptkb:theatre
gptkb:literary_work
|
|
gptkbp:inspired_by
|
gptkb:mythological_figure
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:legacy
|
cult classic
|
|
gptkbp:notable_character
|
gptkb:Juliette_Gréco
gptkb:Politician
gptkb:Francois_Perier
gptkb:Marie_Déa
|
|
gptkbp:notable_quote
|
" The dead are not dead."
" I am Orpheus."
|
|
gptkbp:predecessor
|
gptkb:Orphée
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival_1960
|
|
gptkbp:production_company
|
gptkb:Les_Films_de_la_Pléiade
|
|
gptkbp:release_date
|
1960-10-12
|
|
gptkbp:release_year
|
gptkb:1960
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:runtime
|
75 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Politician
|
|
gptkbp:setting
|
gptkb:Paris
|
|
gptkbp:style
|
poetic realism
|
|
gptkbp:themes
|
gptkb:artwork
love
life and death
|