|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:theater
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1993
|
|
gptkbp:author
|
gptkb:Edith_Wharton
|
|
gptkbp:awards
|
gptkb:Pulitzer_Prize
|
|
gptkbp:cinematography
|
gptkb:Michael_Ballhaus
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influenced later literature
influenced film adaptations
explores themes of modernity
studied in literature courses
explores themes of tradition
discussed in feminist literary criticism
|
|
gptkbp:director
|
gptkb:Martin_Scorsese
|
|
gptkbp:film
|
gptkb:Winona_Ryder
gptkb:Daniel_Day-Lewis
gptkb:Michelle_Pfeiffer
|
|
gptkbp:film_awards
|
gptkb:BAFTA_Award_for_Best_Production_Design
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Musical_or_Comedy
gptkb:Academy_Award_for_Best_Art_Direction
gptkb:Academy_Award_for_Best_Costume_Design
|
|
gptkbp:genre
|
gptkb:Elmer_Bernstein
gptkb:historical_fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Le Temps de l'innocence
|
|
gptkbp:influences
|
gptkb:Victorian_literature
American realism
|
|
gptkbp:isbn
|
978-0-14-243727-8
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Newland_Archer
gptkb:May_Welland
gptkb:Countess_Ellen_Olenska
|
|
gptkbp:narrative
|
third-person
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:published
|
gptkb:1920
|
|
gptkbp:publisher
|
gptkb:D._Appleton_&_Company
|
|
gptkbp:screenplay
|
gptkb:Jay_Cocks
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:social_class
love
|
|
gptkbp:year
|
1870s
|
|
gptkbp:bfsParent
|
gptkb:Marie_Mauriac
gptkb:Francois_Mauriac
|
|
gptkbp:bfsLayer
|
6
|