Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:film_adaptation
|
| gptkbp:characteristic |
repetitive actions
absurd situations nonsensical dialogue |
| gptkbp:cultural_impact |
influenced modern theatre
|
| gptkbp:genre |
absurdist theatre
|
| https://www.w3.org/2000/01/rdf-schema#label |
Le Divin Chauve
|
| gptkbp:influence |
the Theatre of the Absurd
|
| gptkbp:language |
gptkb:French
|
| gptkbp:main_theme |
the absurdity of communication
|
| gptkbp:notable_character |
the Fire Chief
the Professor the Woman Monsieur and Madame Smith |
| gptkbp:performance_style |
non-realistic
|
| gptkbp:premiere_date |
1950
|
| gptkbp:published_in |
1950
|
| gptkbp:setting |
a living room
|
| gptkbp:thematic_element |
gptkb:existentialism
gptkb:identity alienation the passage of time the nature of reality social commentary the exploration of identity the nature of existence communication breakdown the search for meaning the critique of society the role of the audience the absurdity of life the breakdown of family the role of tradition the critique of modernity the mundane the exploration of tradition the exploration of existence the exploration of reality the unpredictability of life the exploration of society the absurdity of language the exploration of modernity the absurdity of norms the exploration of absurdity the exploration of absurdity in communication the exploration of absurdity in life the exploration of absurdity in society the exploration of communication the exploration of norms the futility of communication |
| gptkbp:written_by |
gptkb:Eugène_Ionesco
|
| gptkbp:bfsParent |
gptkb:Fabien_Barthez
|
| gptkbp:bfsLayer |
4
|