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gptkbp:instance_of
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gptkb:opera
gptkb:play
|
|
gptkbp:action
|
five acts
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|
gptkbp:adaptation
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gptkb:film_adaptations
|
|
gptkbp:adaptations
|
adapted into musicals
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|
gptkbp:adapted_into
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gptkb:opera
gptkb:film
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|
gptkbp:audience
|
popular with audiences
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|
gptkbp:based_on
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play by Pierre Beaumarchais
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gptkbp:character_count_almaviva
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a nobleman in disguise
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|
gptkbp:character_dr_bartolo
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a guardian and suitor
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|
gptkbp:character_figaro
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a clever barber
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|
gptkbp:character_relationships
|
complex interactions
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|
gptkbp:character_rosina
|
a spirited young woman
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|
gptkbp:composer
|
gptkb:Gioachino_Rossini
|
|
gptkbp:contains_themes
|
gptkb:social_class
gptkb:deception
gptkb:identity
love
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|
gptkbp:critical_reception
|
widely acclaimed
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|
gptkbp:cultural_impact
|
in literature
in popular culture
in theater
in music
in film
influenced many works
|
|
gptkbp:cultural_references
|
referenced in popular culture
|
|
gptkbp:cultural_significance
|
important in opera repertoire
|
|
gptkbp:duration
|
about 2 hours
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|
gptkbp:features_character
|
gptkb:Figaro
gptkb:Count_Almaviva
gptkb:Rosine
Dr. Bartholo
|
|
gptkbp:first_performance
|
gptkb:Teatro_di_Torre_Argentina
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|
gptkbp:follows
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gptkb:The_Marriage_of_Figaro
|
|
gptkbp:genre
|
gptkb:comedy
comic opera
|
|
gptkbp:has_adaptation
|
gptkb:The_Barber_of_Seville_(TV_series)
gptkb:The_Barber_of_Seville_(animated_film)
The Barber of Seville (opera)
The Barber of Seville (musical)
The Barber of Seville (stage play)
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|
gptkbp:historical_context
|
reflects 18th-century society
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Le Barbier de Séville
|
|
gptkbp:influenced
|
subsequent comedies
|
|
gptkbp:influenced_artists
|
inspired literature and art
|
|
gptkbp:influenced_by
|
gptkb:Molière
gptkb:Italian_commedia_dell'arte
|
|
gptkbp:influences
|
influenced comic operas
|
|
gptkbp:inspiration
|
inspired other operas
|
|
gptkbp:inspired
|
gptkb:various_adaptations
|
|
gptkbp:language
|
gptkb:French
gptkb:Italian
|
|
gptkbp:legacy
|
remains a staple of opera
|
|
gptkbp:main_character
|
gptkb:Figaro
|
|
gptkbp:music_style
|
bel canto
includes humor and romance
|
|
gptkbp:notable_aria
|
gptkb:Largo_al_factotum
|
|
gptkbp:notable_artist
|
performed by renowned opera singers
|
|
gptkbp:notable_character
|
gptkb:Dr._Bartolo
gptkb:Count_Almaviva
gptkb:Rosina
|
|
gptkbp:notable_collaborations
|
Dunque io son
|
|
gptkbp:notable_conductors
|
conducted by famous maestros
|
|
gptkbp:notable_for
|
its witty dialogue
its clever plot twists
|
|
gptkbp:notable_production
|
the 2013 stage adaptation
the 1985 film adaptation
the 1990 opera adaptation
the 2006 revival
the 2018 musical adaptation
staged in major opera houses
|
|
gptkbp:notable_scene
|
iconic comedic moments
|
|
gptkbp:number_of_acts
|
2
|
|
gptkbp:orchestration
|
full orchestra
|
|
gptkbp:part_of
|
gptkb:Figaro_trilogy
|
|
gptkbp:performance_tradition
|
various interpretations
|
|
gptkbp:performed_in
|
gptkb:theater
|
|
gptkbp:premiere_date
|
1816
|
|
gptkbp:premiered_on
|
1775
|
|
gptkbp:published_in
|
1775
|
|
gptkbp:recordings
|
many available
|
|
gptkbp:revival
|
frequently performed
|
|
gptkbp:set_in
|
gptkb:Seville
|
|
gptkbp:setting
|
gptkb:Seville
|
|
gptkbp:thematic_element
|
love and deception
|
|
gptkbp:themes
|
social class and identity
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:written_by
|
gptkb:Pierre_Beaumarchais
|
|
gptkbp:year
|
gptkb:18th_century
|
|
gptkbp:bfsParent
|
gptkb:André_Antoine
|
|
gptkbp:bfsLayer
|
6
|