|
gptkbp:instance_of
|
gptkb:historical_figure
gptkb:film
|
|
gptkbp:associated_with
|
gptkb:Arabian_Peninsula
|
|
gptkbp:awards
|
gptkb:Best_Cinematography
gptkb:Best_Director
gptkb:Order_of_the_British_Empire
Best Picture
|
|
gptkbp:based_on
|
gptkb:Seven_Pillars_of_Wisdom
|
|
gptkbp:born
|
August 16, 1888
|
|
gptkbp:box_office
|
$70 million
|
|
gptkbp:budget
|
$15 million
|
|
gptkbp:cinematography
|
gptkb:Freddie_Young
|
|
gptkbp:cinematography_by
|
gptkb:Freddie_Young
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gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:contribution
|
strategic planning in the Arab Revolt
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
widely acclaimed
highly acclaimed
highly rated on Rotten Tomatoes
highly rated on IMDb
|
|
gptkbp:cultural_impact
|
considered one of the greatest films of all time
influential in cinema
influential film
|
|
gptkbp:cultural_significance
|
explores themes of identity
examines colonialism
depicts World War I events
|
|
gptkbp:depicts
|
gptkb:T._E._Lawrence
gptkb:Arab_Revolt
Arab nationalism
British colonialism
British involvement in the Middle East
|
|
gptkbp:died
|
May 19, 1935
|
|
gptkbp:directed_by
|
gptkb:David_Lean
|
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gptkbp:director
|
gptkb:David_Lean
|
|
gptkbp:editing
|
gptkb:Anne_V._Coates
|
|
gptkbp:education
|
gptkb:Jesus_College,_Oxford
|
|
gptkbp:ethnicity
|
gptkb:Welsh
|
|
gptkbp:famous_for
|
his role in World War I
|
|
gptkbp:famous_quote
|
The trick, William Potter, is not minding that it hurts.
All men dream, but not equally.
There is nothing noble in being superior to your fellow man; true nobility is being superior to your former self.
The best way to keep one's word is not to give it.
I am a stranger in a strange land.
If you know the enemy and know yourself, you need not fear the result of a hundred battles.
The desert is an ocean in which no oar is dipped.
A man can be destroyed but not defeated.
To have joy one must share it.
The trick is to enjoy life. Don't wish away your days, waiting for better ones ahead.
|
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gptkbp:features
|
gptkb:political_intrigue
gptkb:historical_figures
desert landscapes
epic battles
epic battle scenes
|
|
gptkbp:film_editing
|
gptkb:Anne_V._Coates
|
|
gptkbp:film_score
|
iconic
|
|
gptkbp:filming_location
|
gptkb:Jordan
gptkb:Morocco
gptkb:Spain
|
|
gptkbp:follows
|
gptkb:T._E._Lawrence
|
|
gptkbp:full_name
|
gptkb:Thomas_Edward_Lawrence
|
|
gptkbp:genre
|
gptkb:epic
biographical
|
|
gptkbp:has_been_restored
|
2012 restoration
|
|
gptkbp:has_cameo
|
gptkb:none
|
|
gptkbp:has_merchandise
|
gptkb:books
gptkb:posters
gptkb:soundtrack
gptkb:collectibles
gptkb:DVDs
soundtracks
Blu-rays
|
|
gptkbp:has_prequel
|
gptkb:none
|
|
gptkbp:has_sequel
|
gptkb:none
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Lawrence of Arabia
|
|
gptkbp:influenced
|
gptkb:literature
gptkb:military_strategy
gptkb:popular_culture
gptkb:film
Middle Eastern politics
cinematography
many filmmakers
filmmaking techniques
storytelling in cinema
the war film genre
|
|
gptkbp:influenced_artists
|
war films
biographical films
historical epics
|
|
gptkbp:influenced_by
|
gptkb:Wilfred_Thesiger
|
|
gptkbp:inspiration
|
T. E. Lawrence's life
|
|
gptkbp:inspired
|
numerous documentaries
biographical films
|
|
gptkbp:is_available_on
|
gptkb:DVD
gptkb:Blu-ray
streaming services
|
|
gptkbp:is_considered
|
a classic
one of the greatest films of all time
|
|
gptkbp:is_part_of
|
gptkb:cannon
cultural discussions
film studies curriculum
|
|
gptkbp:known_for
|
gptkb:Arab_Revolt
|
|
gptkbp:language
|
gptkb:French
gptkb:Arabic
English
|
|
gptkbp:legacy
|
inspired documentaries
inspired books
inspired stage adaptations
|
|
gptkbp:military_rank
|
gptkb:Lieutenant_Colonel
|
|
gptkbp:music_by
|
gptkb:Maurice_Jarre
|
|
gptkbp:music_composer
|
gptkb:Maurice_Jarre
|
|
gptkbp:nationality
|
gptkb:British
|
|
gptkbp:nickname
|
gptkb:Lawrence_of_Arabia
|
|
gptkbp:notable_awards
|
gptkb:David_di_Donatello_Awards
gptkb:BAFTA_Awards
gptkb:Golden_Globe_Award
|
|
gptkbp:notable_burials
|
gptkb:St._Nicholas_Church,_Moreton,_Dorset
|
|
gptkbp:notable_quote
|
The trick, William Potter, is not minding that it hurts.
There’s nothing noble in being superior to your fellow man; true nobility is being superior to your former self.
I am a stranger in a strange land.
There’s nothing noble in being superior to your fellow man.
|
|
gptkbp:notable_work
|
gptkb:Seven_Pillars_of_Wisdom
|
|
gptkbp:occupation
|
gptkb:military_officer
gptkb:archaeologists
gptkb:Writer
|
|
gptkbp:portrayed_by
|
gptkb:Peter_O'_Toole
|
|
gptkbp:portrayed_in
|
gptkb:Lawrence_of_Arabia_(film)
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:premiere_date
|
December 10, 1962
|
|
gptkbp:premiere_location
|
gptkb:London
|
|
gptkbp:produced_by
|
gptkb:Sam_Spiegel
|
|
gptkbp:release_date
|
gptkb:1962
|
|
gptkbp:released_by
|
gptkb:Columbia_Pictures
|
|
gptkbp:released_in
|
gptkb:1962
|
|
gptkbp:restoration
|
gptkb:regeneration
4 K restoration
|
|
gptkbp:runtime
|
228 minutes
222 minutes
|
|
gptkbp:screenplay
|
gptkb:Robert_Bolt
|
|
gptkbp:screenplay_by
|
gptkb:Michael_Wilson
gptkb:Robert_Bolt
|
|
gptkbp:served_in
|
gptkb:British_Army
|
|
gptkbp:set_in
|
gptkb:World_War_I
|
|
gptkbp:spouse
|
unmarried
|
|
gptkbp:starring
|
gptkb:Omar_Sharif
gptkb:Alec_Guinness
gptkb:Anthony_Quinn
gptkb:Jack_Hawkins
gptkb:Peter_O'_Toole
|
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Picture
|
|
gptkbp:bfsParent
|
gptkb:Omar_Sharif
gptkb:David_Lean
gptkb:Arab_revolts_against_Ottoman_Empire
gptkb:Maurice_Jarre
gptkb:Peter_O'_Toole
|
|
gptkbp:bfsLayer
|
4
|