Statements (50)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Artist
gptkb:filmmakers |
| gptkbp:contributes_to |
academic discussions on sound
artistic discourse on representation |
| gptkbp:has_a_focus_on |
gptkb:human_rights
political activism sound and listening |
| gptkbp:has_collaborated_with |
various human rights organizations
|
| gptkbp:has_exhibited |
art symposiums
conferences on sound and politics |
| gptkbp:has_exhibited_at |
gptkb:Venice_Biennale
gptkb:Documenta_14 |
| gptkbp:has_influence_on |
political discourse
artistic practices |
| gptkbp:has_nationality |
Lebanese
|
| gptkbp:has_occupation |
gptkb:visual_arts
|
| gptkbp:has_participated_in |
film festivals
numerous international exhibitions |
| gptkbp:has_work |
Saydnaya (the missing 19db)
The Voice of the Witness Walled Unwalled |
| https://www.w3.org/2000/01/rdf-schema#label |
Lawrence Abu Hamdan
|
| gptkbp:is_active_in |
political activism
contemporary art scene |
| gptkbp:is_associated_with |
activist groups
various art collectives |
| gptkbp:is_based_in |
gptkb:London
|
| gptkbp:is_considered_as |
a leading figure in sound art
a prominent voice in contemporary art |
| gptkbp:is_explored_in |
the politics of listening
the relationship between sound and memory the role of sound in conflict |
| gptkbp:is_influenced_by |
gptkb:political_theory
sound art documentary practices |
| gptkbp:is_known_for |
gptkb:installation_art
documentary filmmaking audio investigations |
| gptkbp:is_recognized_for |
interdisciplinary approach
engagement with social issues innovative use of audio technology |
| gptkbp:notable_work |
The Sound of the Voice
|
| gptkbp:published_work |
The Voice of the Witness
The Sound of the Voice: A Study of the Politics of Listening |
| gptkbp:was_educated_at |
gptkb:American_University_of_Beirut
gptkb:Goldsmiths,_University_of_London |
| gptkbp:won_award |
gptkb:The_Abraaj_Group_Art_Prize
gptkb:The_Sharjah_Biennial_Prize |
| gptkbp:bfsParent |
gptkb:The_British_Pavilion_at_the_Venice_Biennale
|
| gptkbp:bfsLayer |
5
|