Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
novel
|
| gptkbp:adaptation |
gptkb:television_series
film stage play |
| gptkbp:artMovement |
irony
suspense foreshadowing flashback |
| gptkbp:author |
gptkb:Mary_Elizabeth_Braddon
|
| gptkbp:character |
gptkb:Robert_Audley
gptkb:Lucy_Audley |
| gptkbp:characterDevelopment |
George_Talboys'_fate
Robert_Audley's_investigation Lucy_Audley's_transformation |
| gptkbp:criticalReception |
controversial themes
popular upon release |
| gptkbp:culturalImpact |
inspired adaptations
popular culture references scholarly analysis feminist readings discussions on morality |
| gptkbp:genre |
Victorian fiction
|
| gptkbp:historicalContext |
Victorian era
gender inequality social class issues mental health perceptions marriage norms |
| https://www.w3.org/2000/01/rdf-schema#label |
Lady of Audley
|
| gptkbp:influence |
Gothic literature
detective fiction feminist literature |
| gptkbp:inspiration |
real-life events
|
| gptkbp:mainCharacter |
gptkb:Lucy_Audley
|
| gptkbp:narrativeStyle |
stream of consciousness
third-person multiple perspectives unreliable narrator dialogue-driven |
| gptkbp:notableQuote |
'I am not what I seem.'
|
| gptkbp:plot |
inheritance
madness murder mystery disappearance love affair |
| gptkbp:publishedBy |
1862
|
| gptkbp:setting |
gptkb:England
|
| gptkbp:symbolism |
the house
the portrait the ring |
| gptkbp:theme |
identity
deception gender roles |