Properties (59)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
Person
|
| gptkbp:affiliation |
gptkb:British_Music_Society
|
| gptkbp:alias |
Clara_Scott
|
| gptkbp:associatedAct |
gptkb:Scottish_National_Orchestra
|
| gptkbp:awards |
Honorary_Doctorate_from_the_University_of_Edinburgh
|
| gptkbp:birthDate |
1834-09-07
|
| gptkbp:child |
Clara_Scott
|
| gptkbp:collaborations |
gptkb:Henry_Wood
British_composers |
| gptkbp:contribution |
Women's rights in music
Music for the church |
| gptkbp:deathDate |
1907-06-12
|
| gptkbp:education |
gptkb:Royal_Academy_of_Music
|
| gptkbp:famousFor |
Choral compositions
|
| gptkbp:genre |
Classical
|
| https://www.w3.org/2000/01/rdf-schema#label |
Lady Clara Anne Scott
|
| gptkbp:influence |
Music history
Music publishing Music technology Music analysis Music theory Contemporary classical music Music criticism Music journalism Music festivals 20th-century composers Music therapy Music and culture Music psychology Music education reforms Music and identity Music performance practices Choral music traditions Music aesthetics Music composition techniques Music sociology Women composers Cultural events in music Music performance theory Music_pedagogy British_choral_tradition |
| gptkbp:influenced |
gptkb:Edward_Elgar
gptkb:Vaughan_Williams |
| gptkbp:influencedBy |
gptkb:Felix_Mendelssohn
|
| gptkbp:inspiration |
Nature
|
| gptkbp:involved |
Music education advocacy
|
| gptkbp:legacy |
Promoting women's roles in classical music
|
| gptkbp:musicStyle |
Lyrical
|
| gptkbp:nationality |
British
|
| gptkbp:notableEvent |
First female conductor at the Proms
First woman to conduct a major orchestra in the UK |
| gptkbp:notableWork |
The_Royal_Anthem_of_the_United_Kingdom
|
| gptkbp:occupation |
Composer
|
| gptkbp:performance |
gptkb:Royal_Albert_Hall
Covent Garden |
| gptkbp:recordLabel |
gptkb:Decca_Records
|
| gptkbp:residence |
gptkb:London
|
| gptkbp:spouse |
gptkb:Sir_George_Scott
|
| gptkbp:style |
Romantic
|