Statements (108)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:adaptation |
gptkb:ballet
gptkb:television_series gptkb:radio_station gptkb:graphic_novel gptkb:opera gptkb:miniseries gptkb:film gptkb:stage_play |
| gptkbp:adapted_into |
gptkb:Lady_Chatterley's_Lover_(1981_film)
gptkb:Lady_Chatterley's_Lover_(2015_film) |
| gptkbp:author |
gptkb:D._H._Lawrence
|
| gptkbp:censorship |
banned in several countries
subject of legal battles |
| gptkbp:character_development |
gptkb:Constance_Reid
gptkb:Sir_Clifford_Chatterley gptkb:Oliver_Mellors Clifford's struggle with masculinity Constance's journey of self-discovery Mellors' connection to nature |
| gptkbp:conflict |
love affair
|
| gptkbp:controversy |
gptkb:obscenity_trial
|
| gptkbp:country |
gptkb:United_Kingdom
|
| gptkbp:critical_reception |
mixed reviews
initially controversial mixed reviews upon release later regarded as a classic |
| gptkbp:cultural_aspect |
gptkb:industrial_revolution
post-World War I England early 20th century feminism |
| gptkbp:cultural_impact |
influenced feminist literature
inspired adaptations in various media inspired feminist literature influenced sexual revolution sparked debates on morality inspired discussions on sexuality discussions on sexuality influenced sexual politics influenced modernist literature examined class and gender dynamics reflected societal changes in the 20th century shaped modern views on relationships |
| gptkbp:cultural_references |
inspired academic studies
inspired artworks inspired songs referenced in popular media |
| gptkbp:cultural_significance |
considered a classic
|
| gptkbp:film_editing |
1993 film
2022 film 1981 film 2006 film 2015 film 1970 film |
| gptkbp:first_published |
1928
|
| gptkbp:genre |
gptkb:novel
romance |
| https://www.w3.org/2000/01/rdf-schema#label |
Lady Chatterley's Lover
|
| gptkbp:influence |
gptkb:literature
postmodern literature modern literature literary modernism sexual revolution of the 1960s |
| gptkbp:influenced |
post-war literature
|
| gptkbp:inspiration |
D. H. Lawrence's own life
Lawrence's views on love Lawrence's views on society |
| gptkbp:inspired |
gptkb:poetry
gptkb:artworks academic studies music compositions |
| gptkbp:is_set_in |
gptkb:England
|
| gptkbp:language |
English
|
| gptkbp:literary_significance |
challenges societal norms
examines social class explores themes of love and desire addresses social issues of the time |
| gptkbp:main_character |
gptkb:Constance_Reid
gptkb:Sir_Clifford_Chatterley gptkb:Oliver_Mellors |
| gptkbp:narrative_style |
stream of consciousness
third-person third-person narrative |
| gptkbp:notable_quote |
“ The only thing that matters is love.”
“ I want to be a man, and I want to be a woman.” “ The only thing that matters is the love between two people.” “ I am not a man, I am a woman.” “ Love is a great thing.” “ I want to be a man.” “ We are all of us in the gutter, but some of us are looking at the stars.” |
| gptkbp:protagonist |
gptkb:Female
|
| gptkbp:published |
1928
|
| gptkbp:published_in |
1928
|
| gptkbp:publisher |
gptkb:Chatto_&_Windus
Privately published |
| gptkbp:setting |
gptkb:England
|
| gptkbp:symbolism |
nature
industrialization physicality class division |
| gptkbp:theme |
industrialization
class struggle class conflict sexual liberation nature vs. industrialization |
| gptkbp:translated_into |
multiple languages
|
| gptkbp:written_by |
gptkb:D._H._Lawrence
|
| gptkbp:bfsParent |
gptkb:D._H._Lawrence
|
| gptkbp:bfsLayer |
4
|