|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:theater
gptkb:film
critically acclaimed
film and theatre
|
|
gptkbp:author
|
gptkb:Kōbō_Abe
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:censorship
|
none reported
|
|
gptkbp:character_arc
|
descent into despair
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:character_motivation
|
gptkb:survival
|
|
gptkbp:character_relationships
|
internal and external
Niki and the woman
|
|
gptkbp:conflict
|
man vs. society
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influenced literature
|
|
gptkbp:cultural_references
|
gptkb:various_adaptations
|
|
gptkbp:cultural_significance
|
gptkb:Japanese_literature
|
|
gptkbp:director
|
gptkb:Hiroshi_Teshigahara
|
|
gptkbp:element
|
buckets
|
|
gptkbp:genre
|
psychological fiction
|
|
gptkbp:historical_context
|
post-war Japan
|
|
gptkbp:historical_legacy
|
enduring relevance
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
La mujer de la arena
|
|
gptkbp:influence
|
gptkb:existentialism
|
|
gptkbp:influenced_artists
|
many contemporary writers
|
|
gptkbp:inspiration
|
Kōbō Abe's experiences
|
|
gptkbp:is_symbolic_of
|
entrapment
|
|
gptkbp:language
|
gptkb:Japanese
|
|
gptkbp:main_character
|
gptkb:Niki_Jumpei
|
|
gptkbp:motif
|
gptkb:sand_dunes
|
|
gptkbp:narrative
|
third-person
linear
|
|
gptkbp:narrative_style
|
gptkb:allegory
minimalist
surrealism
|
|
gptkbp:notable_quote
|
" The sand is alive."
|
|
gptkbp:plot_twist
|
unexpected ending
|
|
gptkbp:protagonist
|
gptkb:anarchism
|
|
gptkbp:published_in
|
gptkb:1962
|
|
gptkbp:reader_demographic
|
varied
thought-provoking
highly engaging
|
|
gptkbp:release_year
|
gptkb:1974
|
|
gptkbp:setting
|
gptkb:desert
isolated village
|
|
gptkbp:symbolism
|
gptkb:sand_dunes
the woman as a metaphor
|
|
gptkbp:thematic_element
|
futility
|
|
gptkbp:theme
|
isolation
|
|
gptkbp:themes
|
gptkb:absurdism
|
|
gptkbp:translated_into
|
gptkb:E._Dale_Saunders
English
|
|
gptkbp:bfsParent
|
gptkb:José_Luis_Cuevas
|
|
gptkbp:bfsLayer
|
5
|