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gptkbp:instance_of
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gptkb:play
|
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gptkbp:bfsLayer
|
5
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gptkbp:bfsParent
|
gptkb:José_Zorrilla_y_de_la_Vega
|
|
gptkbp:adaptation
|
gptkb:films
gptkb:opera
gptkb:novel
|
|
gptkbp:adapted_into
|
gptkb:television_series
musicals
ballets
|
|
gptkbp:character
|
gptkb:Doña_Inés
gptkb:Don_Pedro
gptkb:Don_Juan
Tío Lucas
Don Gonzalo
|
|
gptkbp:critical_reception
|
widely studied
considered a classic
performed frequently
|
|
gptkbp:cultural_impact
|
inspired many works
|
|
gptkbp:cultural_significance
|
reflection of societal values
exploration of morality
symbol of libertinism
|
|
gptkbp:features
|
gptkb:Don_Juan
|
|
gptkbp:first_published
|
1617
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|
gptkbp:follows
|
Don Juan's adventures
|
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gptkbp:genre
|
gptkb:High_School
|
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gptkbp:historical_context
|
gptkb:Spanish_Inquisition
social norms of the time
Catholic Church influence
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
La muerte de Don Juan Tenorio
|
|
gptkbp:influenced
|
gptkb:Don_Giovanni
gptkb:The_Libertine
The Seducer
|
|
gptkbp:influenced_by
|
gptkb:Spanish_Golden_Age
|
|
gptkbp:language
|
gptkb:Spanish
|
|
gptkbp:notable_quote
|
" El que no sabe amar, no sabe vivir."
" La muerte no es el final."
|
|
gptkbp:performed_by
|
gptkb:theatre
|
|
gptkbp:plot
|
Don Juan's seduction of women
Don Juan's eventual punishment
Don Juan's challenge to the authority
|
|
gptkbp:set_in
|
gptkb:Seville
|
|
gptkbp:style
|
baroque
|
|
gptkbp:themes
|
morality
seduction
repentance
|
|
gptkbp:written_by
|
gptkb:Tirso_de_Molina
|