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gptkbp:instance_of
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gptkb:play
|
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gptkbp:adaptation
|
gptkb:film_adaptations
gptkb:The_Comedy_of_Errors
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gptkbp:author
|
gptkb:William_Shakespeare
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gptkbp:conflict
|
separation and reunion
|
|
gptkbp:critical_reception
|
widely performed
studied in literature courses
adapted into various media
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|
gptkbp:cultural_impact
|
influenced later comedies
inspired modern adaptations
remains a staple in theatre repertoire
|
|
gptkbp:cultural_significance
|
exploration of identity
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gptkbp:first_performance
|
1623
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gptkbp:genre
|
gptkb:comedy
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gptkbp:historical_context
|
gptkb:Renaissance_theatre
Elizabethan era
early modern period
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|
https://www.w3.org/2000/01/rdf-schema#label
|
La comedia de los enredos
|
|
gptkbp:influence
|
gptkb:Commedia_dell'arte
|
|
gptkbp:inspiration
|
Greek comedies
classical comedies
Roman comedies
|
|
gptkbp:language
|
gptkb:Spanish
|
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gptkbp:main_character
|
gptkb:Dromio_of_Syracuse
gptkb:Antipholus_of_Syracuse
gptkb:Antipholus_of_Ephesus
gptkb:Dromio_of_Ephesus
|
|
gptkbp:music_style
|
slapstick
physical comedy
wordplay
|
|
gptkbp:notable_character
|
gptkb:Adriana
gptkb:Balthasar
gptkb:Egeon
Emilia
Luciana
|
|
gptkbp:notable_quote
|
All the world's a stage.
|
|
gptkbp:performance_tradition
|
Shakespearean theatre
|
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gptkbp:plot
|
search for lost family
misunderstandings and confusion
comic resolution
two sets of identical twins
|
|
gptkbp:published_in
|
1623
|
|
gptkbp:setting
|
gptkb:Syracuse
|
|
gptkbp:style
|
farce
|
|
gptkbp:theme
|
love
family reunion
mistaken identity
|
|
gptkbp:bfsParent
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gptkb:Spanish_Golden_Age_theatre
|
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gptkbp:bfsLayer
|
7
|