|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:bfsLayer
|
6
|
|
gptkbp:bfsParent
|
gptkb:Marcelle_Maurette
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:film
|
|
gptkbp:associated_act
|
2
|
|
gptkbp:audience
|
theatre-goers
|
|
gptkbp:author
|
gptkb:Agatha_Christie
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_impact
|
popular in theatre
|
|
gptkbp:duration
|
approximately 2 hours
|
|
gptkbp:first_performance
|
gptkb:The_Ambassadors_Theatre
|
|
gptkbp:genre
|
gptkb:mythological_figure
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
La Souricière
|
|
gptkbp:influenced_by
|
whodunit genre
British theatre traditions
Agatha Christie's writing style
|
|
gptkbp:inspiration
|
real-life murder case
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:notable_character
|
gptkb:Giles_Ralston
gptkb:Major_Metcalf
gptkb:Miss_Casewell
gptkb:Mollie_Ralston
gptkb:Detective_Trotter
Mrs. Boyle
Mr. Paravicini
|
|
gptkbp:notable_quote
|
“ The murderer is among us.”
|
|
gptkbp:official_language
|
English
|
|
gptkbp:performance
|
traditional theatre
|
|
gptkbp:premiere_date
|
gptkb:1952
|
|
gptkbp:related_works
|
gptkb:Death_on_the_Nile
gptkb:And_Then_There_Were_None
gptkb:Murder_on_the_Orient_Express
The Mousetrap (film)
|
|
gptkbp:setting
|
a guesthouse
|
|
gptkbp:thematic_element
|
gptkb:TV_series
gptkb:betrayal
gptkb:justice
gptkb:moral_ambiguity
gptkb:survival
gptkb:book
gptkb:military_operation
gptkb:technology
isolation
plot twists
social commentary
trust issues
moral dilemmas
suspense
human nature
fear of the unknown
mystery solving
human psychology
crime investigation
class differences
psychological tension
climactic moments
|
|
gptkbp:theme
|
gptkb:legal_case
|