|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:art_style
|
vivid imagery
|
|
gptkbp:author
|
gptkb:Jules_Claretie
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
moderate success
|
|
gptkbp:character
|
gptkb:Juliette
gptkb:Catherine
gptkb:Gérard
gptkb:Henri
Mireille
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography_by
|
gptkb:Sacha_Vierny
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:cultural_impact
|
French cinema
|
|
gptkbp:directed_by
|
gptkb:Agnès_Varda
|
|
gptkbp:distributor
|
gptkb:CIC
|
|
gptkbp:edited_by
|
gptkb:Agnès_Varda
|
|
gptkbp:features
|
historical references
|
|
gptkbp:follows
|
gptkb:La_Pointe_Courte
|
|
gptkbp:genre
|
gptkb:historical_texts
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
La Passante du Sans-Souci
|
|
gptkbp:influenced
|
gptkb:cinema
cultural studies
European cinema
subsequent filmmakers
art house films
feminist cinema
|
|
gptkbp:influenced_by
|
gptkb:French_New_Wave
documentary style
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:main_character
|
gptkb:Mademoiselle_de_la_Roche
|
|
gptkbp:music_by
|
gptkb:Gus_Viseur
|
|
gptkbp:narrative_style
|
non-linear storytelling
|
|
gptkbp:notable_quote
|
" La vie est un rêve"
|
|
gptkbp:precedes
|
gptkb:Vaishnavism
|
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Agnès_Varda
|
|
gptkbp:published_in
|
1910
|
|
gptkbp:released_in
|
gptkb:1982
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Agnès_Varda
|
|
gptkbp:set_in
|
gptkb:Paris
|
|
gptkbp:setting
|
gptkb:Haiti
gptkb:historical_context
|
|
gptkbp:starring
|
gptkb:Michel_Piccoli
gptkb:Sandrine_Bonnaire
|
|
gptkbp:theme
|
gptkb:loss
gptkb:identity
love
|
|
gptkbp:themes
|
gptkb:loss
gptkb:identity
gptkb:memory
love
|
|
gptkbp:won_award
|
gptkb:César_Award_for_Best_Film
gptkb:César_Award_for_Best_Actress
|
|
gptkbp:bfsParent
|
gptkb:Joseph_Kessel
|
|
gptkbp:bfsLayer
|
5
|