Statements (49)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:adaptation |
gptkb:film_adaptation
gptkb:musical_adaptation |
| gptkbp:author |
gptkb:William_Shakespeare
|
| gptkbp:character |
gptkb:Sir_Toby_Belch
gptkb:Sir_Andrew_Aguecheek gptkb:Duke_Orsino gptkb:Antonio gptkb:Feste gptkb:Malvolio gptkb:Sebastian Olivia's steward |
| gptkbp:cultural_impact |
widely performed worldwide
|
| gptkbp:first_performance |
1601
|
| gptkbp:genre |
gptkb:comedy
|
| https://www.w3.org/2000/01/rdf-schema#label |
La Nuit des rois
|
| gptkbp:influence |
inspired many adaptations
|
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Olivia
gptkb:Orsino gptkb:Viola |
| gptkbp:notable_production |
gptkb:Broadway
West End production National Theatre production Royal Shakespeare Company production BBC adaptation Royal National Theatre production Shakespeare in the Park production Globe Theatre production film adaptation by Trevor Nunn Shakespeare Festival production |
| gptkbp:notable_quote |
All the world's a stage.
If music be the food of love, play on. |
| gptkbp:original_language |
Early Modern English
|
| gptkbp:performance_style |
comedic
|
| gptkbp:plot |
Final marriages and reconciliations.
Malvolio is tricked. Olivia falls in love with Viola. Orsino loves Olivia. Resolution of love triangles. Themes of mistaken identity. Viola disguises herself as a man. |
| gptkbp:setting |
gptkb:Illyria
|
| gptkbp:theme |
gptkb:identity
gptkb:mask love |
| gptkbp:bfsParent |
gptkb:André_Roussin
gptkb:Philippe_Sarde |
| gptkbp:bfsLayer |
5
|