Statements (44)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:opera
|
gptkbp:bfsLayer |
6
|
gptkbp:bfsParent |
gptkb:Jacopo_Ferretti
|
gptkbp:adaptation |
various adaptations and performances
|
gptkbp:associated_act |
2
|
gptkbp:audience |
popular among contemporary audiences
|
gptkbp:character |
gptkb:Luca
gptkb:Don_Polidoro gptkb:Cecilia gptkb:Sofia Cecilia's father Don Antonio |
gptkbp:composer |
gptkb:Wolfgang_Amadeus_Mozart
|
gptkbp:critical_reception |
mixed reviews at premiere
|
gptkbp:cultural_impact |
influenced later operatic works
|
gptkbp:cultural_references |
referenced in literature and media
|
gptkbp:director |
directed by prominent opera directors
|
gptkbp:famous_for |
its comedic elements
|
gptkbp:first_performance |
gptkb:Burgtheater
|
gptkbp:genre |
comic opera
|
gptkbp:historical_context |
reflects the social norms of 18th century Vienna
|
gptkbp:historical_significance |
important in Mozart's early career
|
https://www.w3.org/2000/01/rdf-schema#label |
La Finta Semplice
|
gptkbp:influenced_artists |
influenced later composers like Rossini
influenced the development of comic operas |
gptkbp:influenced_by |
gptkb:painting
influenced by commedia dell'arte |
gptkbp:language |
gptkb:Italian
|
gptkbp:legacy |
remains a staple in opera houses today
|
gptkbp:librettist |
gptkb:Marco_Coltellini
|
gptkbp:music_style |
features typical of opera buffa
|
gptkbp:notable_artists |
performed by renowned opera singers
|
gptkbp:notable_performance |
part of the operatic repertoire
performed by famous opera companies |
gptkbp:notable_recordings |
available in various recordings
|
gptkbp:notable_song |
Non siate ritrosi
|
gptkbp:orchestration |
orchestrated for strings and woodwinds
|
gptkbp:performed_by |
various opera houses
|
gptkbp:premiere_date |
1769
|
gptkbp:reunion |
revived in modern times
|
gptkbp:setting |
gptkb:Vienna
|
gptkbp:style |
classical style
|
gptkbp:thematic_element |
explores themes of love and misunderstanding
|
gptkbp:theme |
deception and disguise
|