Statements (52)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
|
| gptkbp:adaptations |
gptkb:film_adaptations
|
| gptkbp:audience |
popular with audiences since its premiere
|
| gptkbp:based_on |
The Bride of Lammermoor by Sir Walter Scott
|
| gptkbp:character_relationships |
Edgardo and Enrico
Lucia and Edgardo Lucia and her brother Enrico |
| gptkbp:choreography |
often includes ballet sequences in productions
|
| gptkbp:composer |
gptkb:Gaetano_Donizetti
|
| gptkbp:critical_analysis |
subject of scholarly analysis and critique
|
| gptkbp:cultural_impact |
inspired various artistic works
|
| gptkbp:cultural_references |
referenced in popular culture
|
| gptkbp:cultural_significance |
important work in the bel canto repertoire
|
| gptkbp:director |
many renowned opera directors have staged it
|
| gptkbp:famous_event |
featured in major opera festivals
|
| gptkbp:famous_for |
mad scene
|
| gptkbp:first_performance |
gptkb:Teatro_di_San_Carlo
|
| gptkbp:genre |
tragédie lyrique
|
| gptkbp:historical_context |
reflects 19th-century Italian opera
|
| https://www.w3.org/2000/01/rdf-schema#label |
La Fiancée de Lammermoor
|
| gptkbp:influenced |
gptkb:musical_theatre
classical music modern opera composers later operas |
| gptkbp:is_acclaimed_for |
widely regarded as a masterpiece
|
| gptkbp:language |
gptkb:Italian
|
| gptkbp:librettist |
gptkb:Salvadore_Cammarano
|
| gptkbp:main_character |
gptkb:Edgardo_di_Ravenswood
gptkb:Lucia_Ashton |
| gptkbp:music_style |
bel canto
|
| gptkbp:notable_aria |
Regnava nel silenzio
|
| gptkbp:notable_conductors |
conducted by many famous conductors
|
| gptkbp:notable_costumes |
historically inspired costumes in productions
|
| gptkbp:notable_performers |
Edgardo di Ravenswood role
Enrico Ashton role Lucia di Lammermoor role |
| gptkbp:notable_scenic_designs |
varied scenic designs in different productions
|
| gptkbp:orchestration |
features a full orchestra
|
| gptkbp:performance |
approximately 2.5 hours
|
| gptkbp:performed_in |
many opera houses worldwide
multiple languages in adaptations |
| gptkbp:plot_element |
gptkb:betrayal
gptkb:family madness |
| gptkbp:premiere |
1835
|
| gptkbp:recordings |
numerous recordings available
|
| gptkbp:revival |
frequent revivals in opera houses
|
| gptkbp:setting |
gptkb:Scotland
|
| gptkbp:thematic_element |
forbidden love
explores themes of love and tragedy |
| gptkbp:bfsParent |
gptkb:Jean-Guillaume_Bart
|
| gptkbp:bfsLayer |
6
|