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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Claude_Chabrol
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|
gptkbp:allows
|
gptkb:CEO
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|
gptkbp:art_style
|
gptkb:Realism
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|
gptkbp:artist
|
gptkb:CEO
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|
gptkbp:aspect_ratio
|
gptkb:CEO
1.66:1
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|
gptkbp:audience
|
Cult following.
Provokes thought.
Appeals to adult audiences.
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|
gptkbp:awards
|
gptkb:CEO
|
|
gptkbp:based_on
|
gptkb:CEO
novel by Ruth Rendell
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|
gptkbp:box_office
|
gptkb:CEO
$1 million
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|
gptkbp:budget
|
gptkb:CEO
|
|
gptkbp:character_appearance
|
gptkb:CEO
|
|
gptkbp:character_arc
|
Explores moral dilemmas.
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|
gptkbp:character_development
|
gptkb:launch_complex
Complex characters.
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|
gptkbp:character_relationships
|
Complex dynamics.
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|
gptkbp:cinematography
|
Jean Rabier
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|
gptkbp:color
|
gptkb:color
|
|
gptkbp:composer
|
gptkb:Pierre_Jansen
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
Positive
Positive reviews
Generally well-received.
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|
gptkbp:cultural_impact
|
gptkb:CEO
Significant in film history.
Influential in French cinema.
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|
gptkbp:cultural_references
|
References to contemporary issues.
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|
gptkbp:cultural_significance
|
gptkb:CEO
Represents 1960s French cinema.
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|
gptkbp:design
|
gptkb:CEO
|
|
gptkbp:directed_by
|
gptkb:Claude_Chabrol
|
|
gptkbp:director
|
gptkb:Claude_Chabrol
Claude Chabrol.
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|
gptkbp:distributor
|
gptkb:CIC
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|
gptkbp:edited_by
|
Jacqueline Meppiel
|
|
gptkbp:editor
|
gptkb:Jacques_Gaillard
|
|
gptkbp:film_festival
|
gptkb:CEO
gptkb:Cannes_Film_Festival_1969
|
|
gptkbp:film_score
|
gptkb:CEO
Memorable score.
|
|
gptkbp:film_series
|
gptkb:CEO
|
|
gptkbp:filming_location
|
gptkb:Monarch
|
|
gptkbp:filmography
|
gptkb:CEO
Analyzed for its themes.
Realistic.
Pacing enhances tension.
Use of close-ups.
Psychological realism.
|
|
gptkbp:followed_by
|
gptkb:CEO
|
|
gptkbp:genre
|
gptkb:Thriller
gptkb:High_School
|
|
gptkbp:has_sequel
|
gptkb:CEO
|
|
gptkbp:historical_context
|
gptkb:CEO
Reflects societal norms of the time.
|
|
gptkbp:home_media_release
|
DVD release.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
La Femme infidèle
|
|
gptkbp:influenced
|
gptkb:CEO
|
|
gptkbp:influenced_by
|
gptkb:CEO
gptkb:film
|
|
gptkbp:influences
|
gptkb:CEO
|
|
gptkbp:inspiration
|
Inspired later films.
|
|
gptkbp:inspired_by
|
gptkb:CEO
|
|
gptkbp:is_characterized_by
|
Deeply developed characters.
|
|
gptkbp:is_critical_for
|
gptkb:CEO
Explores themes of trust.
|
|
gptkbp:is_criticized_for
|
Praised by critics.
|
|
gptkbp:is_motivated_by
|
Driven by desire.
|
|
gptkbp:language
|
gptkb:French
Naturalistic
|
|
gptkbp:legacy
|
Considered a classic.
Influenced future filmmakers.
|
|
gptkbp:music_by
|
gptkb:Pierre_Jansen
|
|
gptkbp:narrative_style
|
Linear
|
|
gptkbp:narrative_theme
|
Exploration of fidelity.
|
|
gptkbp:notable_achievement
|
Recognized in film studies.
|
|
gptkbp:notable_appearance
|
gptkb:CEO
Confrontation between husband and wife.
|
|
gptkbp:notable_quote
|
Famous for its dialogue.
|
|
gptkbp:plot
|
A woman has an affair and her husband discovers it.
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Claude_Chabrol
|
|
gptkbp:production_company
|
gptkb:CEO
|
|
gptkbp:release_date
|
gptkb:1969
1969-05-14
April 1969
|
|
gptkbp:release_format
|
gptkb:CEO
Theatrical
|
|
gptkbp:release_region
|
gptkb:Monarch
|
|
gptkbp:release_year
|
gptkb:1969
|
|
gptkbp:remake
|
gptkb:CEO
|
|
gptkbp:restoration
|
Restored version available.
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Claude_Chabrol
|
|
gptkbp:sequel
|
gptkb:CEO
|
|
gptkbp:setting
|
gptkb:Monarch
|
|
gptkbp:sound
|
gptkb:Mono
|
|
gptkbp:soundtrack
|
gptkb:CEO
|
|
gptkbp:starring
|
gptkb:Stéphane_Audran
gptkb:Michel_Bouquet
gptkb:Bernard_Verley
gptkb:Stephane_Audran
|
|
gptkbp:symbolism
|
Represents betrayal.
|
|
gptkbp:themes
|
gptkb:Murder
Infidelity
Jealousy
Explores love and betrayal.
|
|
gptkbp:visual_effects
|
gptkb:CEO
|
|
gptkbp:writer
|
gptkb:Claude_Chabrol
gptkb:Paul_Gegauff
|