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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
|
5
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gptkbp:bfsParent
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gptkb:YMO
|
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gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cinematography
|
gptkb:Raoul_Coutard
|
|
gptkbp:color
|
black and white
|
|
gptkbp:contains
|
metafictional elements
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
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gptkbp:depicts
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gptkb:political_movement
student activism
|
|
gptkbp:directed_by
|
gptkb:Jean-Luc_Godard
|
|
gptkbp:distributor
|
gptkb:Les_Films_du_Losange
|
|
gptkbp:edited_by
|
gptkb:Françoise_Collin
|
|
gptkbp:explores
|
gptkb:TV_series
gptkb:artwork
gender roles
revolutionary ideas
|
|
gptkbp:features
|
gptkb:language
political themes
|
|
gptkbp:film_festival
|
Cannes 1967
|
|
gptkbp:follows
|
gptkb:La_Chinoise
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:has
|
cult following
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
La Femme Chinoise
|
|
gptkbp:influenced
|
future filmmakers
cinema studies
|
|
gptkbp:influenced_by
|
gptkb:Mao_Zedong
French politics
|
|
gptkbp:inspired
|
gptkb:French_New_Wave
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
|
|
gptkbp:is_part_of
|
Jean-Luc Godard filmography
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:music_by
|
gptkb:Gérard_Manset
|
|
gptkbp:notable_for
|
gptkb:historical_event
gptkb:Historical_Society
gptkb:book
gptkb:artwork
cultural references
cultural significance
social commentary
political commentary
cinematic techniques
narrative complexity
artistic experimentation
thematic exploration
experimental narrative
cultural critique
thematic depth
visual style
dialogue-driven scenes
intertextual references
stylistic innovation
stylistic choices
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Groupe_de_Recherches_Audiovisuelles
|
|
gptkbp:release_year
|
gptkb:1967
|
|
gptkbp:runtime
|
95 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jean-Luc_Godard
|
|
gptkbp:set_in
|
gptkb:Paris
|
|
gptkbp:starring
|
gptkb:Anne_Wiazemsky
gptkb:Juliet_Berto
gptkb:Michel_Subor
|