|
gptkbp:instance_of
|
gptkb:opera
|
|
gptkbp:action
|
2
|
|
gptkbp:adaptations
|
gptkb:ballet
gptkb:musical_theatre
gptkb:film
|
|
gptkbp:based_on
|
The Lady of the Lake by Sir Walter Scott
|
|
gptkbp:character
|
gptkb:King_James_V
gptkb:Elena
gptkb:Rodrigo
Malcolm
Duglas
|
|
gptkbp:composer
|
gptkb:Gioachino_Rossini
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_impact
|
inspired adaptations
|
|
gptkbp:cultural_significance
|
part of operatic repertoire
|
|
gptkbp:first_performance
|
gptkb:Teatro_di_San_Carlo
|
|
gptkbp:focus
|
gptkb:betrayal
gptkb:heroism
gptkb:loyalty
gptkb:identity
gptkb:sacrifice
|
|
gptkbp:genre
|
Romantic opera
|
|
gptkbp:historical_context
|
early 19th century
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
La Donna del Lago
|
|
gptkbp:influenced_artists
|
gptkb:William_Tell
gptkb:Giuseppe_Verdi
gptkb:Benjamin_Britten
gptkb:Philip_Glass
gptkb:Richard_Wagner
gptkb:La_Cenerentola
gptkb:Giacomo_Puccini
gptkb:Il_barbiere_di_Siviglia
gptkb:Semiramide
|
|
gptkbp:influenced_by
|
Italian opera tradition
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:libretto
|
Andrea Leone Tottola
|
|
gptkbp:music_style
|
bel canto
|
|
gptkbp:notable_aria
|
Tanti affetti in tal momento
|
|
gptkbp:notable_collaborations
|
D'amore al dolce impero
|
|
gptkbp:notable_conductors
|
gptkb:Riccardo_Muti
|
|
gptkbp:notable_performers
|
gptkb:Juan_Diego_Flórez
gptkb:Diana_Damrau
gptkb:Joyce_Di_Donato
gptkb:Lucia_Popp
gptkb:Renée_Fleming
|
|
gptkbp:number_of_acts
|
2
|
|
gptkbp:orchestration
|
full orchestra
|
|
gptkbp:performance_tradition
|
performed worldwide
|
|
gptkbp:premiere
|
1819
|
|
gptkbp:recordings
|
numerous
|
|
gptkbp:revival
|
gptkb:20th_century
|
|
gptkbp:setting
|
gptkb:Scotland
|
|
gptkbp:thematic_element
|
love and conflict
|
|
gptkbp:bfsParent
|
gptkb:Raffaele_Galuppi
|
|
gptkbp:bfsLayer
|
7
|